King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 58
Have you nothing said Upon his partyo ' gainst the Duke of Albany ? Advise yourself . ° EDGAR I am sure on't , not a word . EDMUND I hear my father coming . Pardon me : I In cunningo I must draw my sword upono you . a 30 Draw , seem to ...
Have you nothing said Upon his partyo ' gainst the Duke of Albany ? Advise yourself . ° EDGAR I am sure on't , not a word . EDMUND I hear my father coming . Pardon me : I In cunningo I must draw my sword upono you . a 30 Draw , seem to ...
Seite 68
[ Drawing his sword ] Draw , you rogue , for though it be night , yet the moon shines . I'll make a sop o ' th ' moonshine of you , o you whoreson cullionlyo barbermonger ! ° Draw ! 25 30 OSWALD Away , I have nothing to do with thee .
[ Drawing his sword ] Draw , you rogue , for though it be night , yet the moon shines . I'll make a sop o ' th ' moonshine of you , o you whoreson cullionlyo barbermonger ! ° Draw ! 25 30 OSWALD Away , I have nothing to do with thee .
Seite 179
... to the sound of soft and formal music . Everyone stands back as he is placed center - stage . The doctor asks Cordelia to be “ by ” Lear , but she still holds back , so he has to ask her a second time to " draw near .
... to the sound of soft and formal music . Everyone stands back as he is placed center - stage . The doctor asks Cordelia to be “ by ” Lear , but she still holds back , so he has to ask her a second time to " draw near .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole