King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 28
105 comes under the prediction : o there's son against father ; o the 100 king falls from bias of nature ; o there's father against child . We have seen the best of our time . ° Machinations , hollowness , treachery , and all ruinous ...
105 comes under the prediction : o there's son against father ; o the 100 king falls from bias of nature ; o there's father against child . We have seen the best of our time . ° Machinations , hollowness , treachery , and all ruinous ...
Seite 62
The noble duke my master , My worthy archo and patron , comes tonight . 60 By his authority I will proclaim it , That he which finds him shall deserve our thanks , Bringing the murderous coward to the stake .
The noble duke my master , My worthy archo and patron , comes tonight . 60 By his authority I will proclaim it , That he which finds him shall deserve our thanks , Bringing the murderous coward to the stake .
Seite 137
The ghastly business comes to a standstill ; those in the audience who have looked away will be drawn again , to watch closely . ( Only Kent in l.i. has shown similar courage , but not at such immediate danger to himself . ) ...
The ghastly business comes to a standstill ; those in the audience who have looked away will be drawn again , to watch closely . ( Only Kent in l.i. has shown similar courage , but not at such immediate danger to himself . ) ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole