King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 31
avoid meeting him moderated will be relished as a joke by the audience while Edgar remains wholly convinced and serious . If Edgar shows obvious signs of anger , Edmund's solicitous call for forbearance and his offer of the protection ...
avoid meeting him moderated will be relished as a joke by the audience while Edgar remains wholly convinced and serious . If Edgar shows obvious signs of anger , Edmund's solicitous call for forbearance and his offer of the protection ...
Seite 59
The projected " wars " are news to the audience as to Edmund . Some rivalry has been implicit between Goneril and Regan , but if Curan's news is accurate ( the text again is silent ) , tension has grown to crisis very quickly .
The projected " wars " are news to the audience as to Edmund . Some rivalry has been implicit between Goneril and Regan , but if Curan's news is accurate ( the text again is silent ) , tension has grown to crisis very quickly .
Seite 209
Without some tact in management , this can raise unwanted laughs from a theatre audience . Often the entry is cut entirely , with the loss of a visual echo of the first scene of the play , and a further demonstration of an inevitable ...
Without some tact in management , this can raise unwanted laughs from a theatre audience . Often the entry is cut entirely , with the loss of a visual echo of the first scene of the play , and a further demonstration of an inevitable ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole