King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite x
Edgar appears , rather , as an anonymous challenger for a trial by combat and so kills his brother in public view . ... the “ thief ” ( IV.vi.146–48 ) : Through tattered clothes small vices do appear ; Robes and furred gowns hide all .
Edgar appears , rather , as an anonymous challenger for a trial by combat and so kills his brother in public view . ... the “ thief ” ( IV.vi.146–48 ) : Through tattered clothes small vices do appear ; Robes and furred gowns hide all .
Seite 37
Does he lie about his age in order to appear more virile than he actually is ? Elsewhere he appears to be of the same generation as Gloucester ( see 11.ji.54-55 , 58-59 , and 77 ) , and at the death of his old master he is ready for ...
Does he lie about his age in order to appear more virile than he actually is ? Elsewhere he appears to be of the same generation as Gloucester ( see 11.ji.54-55 , 58-59 , and 77 ) , and at the death of his old master he is ready for ...
Seite 198
If none appear to prove upon thy person Thy heinous , manifest , and many treasons , There is my pledgeo ( Throwing down his glove ] : I'll make it on thy heart , Ere I taste bread , thou art in nothing less Than I have here proclaimed ...
If none appear to prove upon thy person Thy heinous , manifest , and many treasons , There is my pledgeo ( Throwing down his glove ] : I'll make it on thy heart , Ere I taste bread , thou art in nothing less Than I have here proclaimed ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole