King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 34
Scene iv Enter KENT ( disguised ) . o KENT If but as wello I other accents borrow That can my speech defuse , o my good intent May carry through itself to that full issue For which I razed my likeness . Now , banished Kent , If thou ...
Scene iv Enter KENT ( disguised ) . o KENT If but as wello I other accents borrow That can my speech defuse , o my good intent May carry through itself to that full issue For which I razed my likeness . Now , banished Kent , If thou ...
Seite 69
I'll dunk your insubstantial being ( in sweat or blood ) base * fop 22-38 Oswald may keep his temper up to and including his rebuke of Kent ( II . 22-23 ) ; if so , Kent will be laughed at as well as with . But certainly when Kent makes ...
I'll dunk your insubstantial being ( in sweat or blood ) base * fop 22-38 Oswald may keep his temper up to and including his rebuke of Kent ( II . 22-23 ) ; if so , Kent will be laughed at as well as with . But certainly when Kent makes ...
Seite 71
Meanwhile Kent has been bombarding Oswald with words , but at line 56 he adds a threat of renewed violence , adding a picturesque obscenity for good measure . He now appears " beastly ” to Cornwall ( l .
Meanwhile Kent has been bombarding Oswald with words , but at line 56 he adds a threat of renewed violence , adding a picturesque obscenity for good measure . He now appears " beastly ” to Cornwall ( l .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole