King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 49
has the appearance of sensuality dignified , blessed requested 1 reduce in number * belong , be engaged befit * know their duties and your true needs Lear turns away and Goneril pauses before continuing , unshaken , with a more succinct ...
has the appearance of sensuality dignified , blessed requested 1 reduce in number * belong , be engaged befit * know their duties and your true needs Lear turns away and Goneril pauses before continuing , unshaken , with a more succinct ...
Seite 51
“ After a harrowing shriek , ” Goneril shrank to hide her face on her husband's shoulder ( Lear at the Lyceum ) . at one stroke 266-9 Goneril says nothing to Lear's curse , but only countermands Albany's question .
“ After a harrowing shriek , ” Goneril shrank to hide her face on her husband's shoulder ( Lear at the Lyceum ) . at one stroke 266-9 Goneril says nothing to Lear's curse , but only countermands Albany's question .
Seite 147
The business has been war and leadership in cowardly matters of state , but all the time Goneril has been making claims upon Edmund for her own sexual purwill ignore poses . She shows her independence from her husoblige him to reply ...
The business has been war and leadership in cowardly matters of state , but all the time Goneril has been making claims upon Edmund for her own sexual purwill ignore poses . She shows her independence from her husoblige him to reply ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole