King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Scene iii Enter GONERIL , and ( Oswald , her Steward . GONERIL Did my father strike my gentleman for chiding of his Fool ? 5 10 OSWALD Ay , madam . GONERIL By day and night he wrongs me . Every hour He flasheso into one grosso crime or ...
Scene iii Enter GONERIL , and ( Oswald , her Steward . GONERIL Did my father strike my gentleman for chiding of his Fool ? 5 10 OSWALD Ay , madam . GONERIL By day and night he wrongs me . Every hour He flasheso into one grosso crime or ...
Seite 110
Exit 1 Scene iv Enter LEAR , KENT , and FOOL . KENT Here is the place , my lord . Good my lord , enter . The tyranny of the open night's too rough For nature ° to endure . Storm still . LEAR Let me alone .
Exit 1 Scene iv Enter LEAR , KENT , and FOOL . KENT Here is the place , my lord . Good my lord , enter . The tyranny of the open night's too rough For nature ° to endure . Storm still . LEAR Let me alone .
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O 25 KENT Good my lord , enter here . LEAR Prithee go in thyself ; seek thine own ease . ° This tempest will not give me leave to ponder On things would hurt me more , but I'll go in . [ To the Fool ] In , boy ; go first .
O 25 KENT Good my lord , enter here . LEAR Prithee go in thyself ; seek thine own ease . ° This tempest will not give me leave to ponder On things would hurt me more , but I'll go in . [ To the Fool ] In , boy ; go first .
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole