King Lear(Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Seite 161
the hill we talked about ( see IV . i.70-73 ) 1-11 Edgar , his nakedness covered in borrowed clothes , enters supporting his father who is weak from exposure , exertion , and pain . Edgar pretends to approach the clifftop ; perhaps he ...
the hill we talked about ( see IV . i.70-73 ) 1-11 Edgar , his nakedness covered in borrowed clothes , enters supporting his father who is weak from exposure , exertion , and pain . Edgar pretends to approach the clifftop ; perhaps he ...
Seite 175
the main army is expected to come into view any hour 200-08 Edgar leaves his father's side to ask for news . The answer he receives ( II . 202-03 ) suggests that the sound of drums and marching men has been heard from off - stage for ...
the main army is expected to come into view any hour 200-08 Edgar leaves his father's side to ask for news . The answer he receives ( II . 202-03 ) suggests that the sound of drums and marching men has been heard from off - stage for ...
Seite 205
Albany interposes to greet Edgar ; they embrace and Albany , ignoring Edmund , asks for his story . manner of approach promised honorable 178-98 Only the end of Edgar's narrative contains hear news for the audience , and so the speech ...
Albany interposes to greet Edgar ; they embrace and Albany , ignoring Edmund , asks for his story . manner of approach promised honorable 178-98 Only the end of Edgar's narrative contains hear news for the audience , and so the speech ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind move nature never night offer omits once Oswald pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering talk tears thee thing thou thoughts tion tries true turns voice whole