Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to HamletOxford University Press, 2002 - 286 Seiten The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. |
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... Falstaff 2 Subjectivity , Carnival , and the Aesthetic : Falstaff in 1 Henry IV 126 143 3. The Prince's Self : Between Machiavelli and Montaigne 4. Audience , Ideology , and the Utopian in 1 Henry IV 162 174 5. THE REIFIED WORLDS OF 2 ...
... Falstaff 2 Subjectivity , Carnival , and the Aesthetic : Falstaff in 1 Henry IV 126 143 3. The Prince's Self : Between Machiavelli and Montaigne 4. Audience , Ideology , and the Utopian in 1 Henry IV 162 174 5. THE REIFIED WORLDS OF 2 ...
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Inhalt
HISTORICISM AND THE CULTURAL | 1 |
FROM | 58 |
MONTAIGNE SHAKESPEARE AND | 109 |
THE RESISTANCE TO POWER IN 1 HENRY | 126 |
THE REIFIED WORLDS OF 2 HENRY IV AND HENRY V | 180 |
HAMLET AND THE TRAGEDY OF | 243 |
BIBLIOGRAPHY | 266 |
283 | |
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Adorno aesthetic Althusser argued audience Bolingbroke Cambridge carnival celebrated central character complex concepts connection context counterfeit critical crucial cultural defined discourse discussed Dollimore dramatic dynamics E. M. W. Tillyard earlier early modern Elizabethan England English Essays Essex Falstaff fictions Fluellen Foucault France Frankfurt School French Greenblatt Hal's Hamlet Harry's Hayward's Henriad Henry IV plays heroic Horkheimer Hotspur Hugh Grady human idea identity ideology interpellation Jonathan Dollimore King Harry King Henry King Lear Lacan logic London Machia Machiavellian Machiavellian politics Machiavellian power Metadrama modern subjectivity Modernist Montaigne Montaigne's Niccolò Machiavelli Oxford play's plebeian potential Prince Hal reading reified Renaissance repr resistance Richard Richard II role Routledge scene seems sense Shakespeare studies Shakespeare's History Shakespeare's play Shakespeare's Universal Wolf Shakespearian Sir John social soliloquy Stephen Greenblatt tavern world theatrical thematic themes theory thou tradition tragedies trans Troilus and Cressida unfixed subjectivity University Press vellian William Shakespeare York