Most like this dreadful night; That thunders, lightens, opens graves, and roars A man no mightier than thyself, or me, In personal action; yet prodigious grown, Casca. 'Tis Cæsar that you mean; is it not, Cassius? Casca. Indeed, they say, the senators to-morrow And he shall wear his crown by sea and land, Cas. I know where I will wear this dagger then; If I know this, know all the world besides, Casca. So can 1: So every bondman in his own hand bears Cas. And why should Cæsar be a tyrant then? So vile a thing as Cæsar! But, O, grief, Casca. You speak to Casca; and to such a man Cus. There's a bargain made. Now, know you, Casca, I have moved already To undergo, with me, an enterprise Of honourable dangerous consequence : [Thunder and Lightning. And I do know, by this, they stay for me In Pompey's porch: For now, this fearful night, There is no stir, or walking in the streets; And the complexion of the element Is favour'd, like the work we have in hand, Most bloody, fiery, and most terrible. [Going, R. Casca. Stand close awhile; for here comes one in haste. Cas. 'Tis Cinna; I do know him by his gait; He is a friend. Enter CINNA, L. Cinna, where haste you so? Cin. (L. c.) To find out you. Who's that? Metellus Cimber? Cas. No, it is Casca; one incorporate To our attempts. Am I not stay'd for, Cianna? Cin. I'm glad on't. What a fearful night is this! Cas. Am I not stay'd for? Tell me. Cin. Yes, You are. O, Cassius, if you could but win The noble Brutus to our party [Thunder. Cas. Be you content: Good Cinna, take this paper, And look you lay it in the prætor's chair, Where Brutus may but find it: and throw this In at his window: set this up with wax Upon old Brutus' statue: all this done, Repair to Pompey's porch, where you shall find us. Cin. All, but Metellus Cimber; and he's gone Cas. That done, repair to Pompey's theatre. [Exit Cinna, R. Come, Cassa you and I will, yet, ere day, His countenance, like richest alchemy, Will change to virtue and to worthiness. Cas. Him, and his worth, and our great need of him, You have right well conceited. Let us go; continue to shine, with undiminished radiance, to the latest posterity. Brutus was no less the angel of Shakspeare than of Cæsar; for the poet has left no points in his character untouched.-His gentleness and candour alternately shine forth, and relieve the sterner virtues; nor does his philosophy, like Cato's, elevate him above humanity. The remark of Dr. Johnson, that this tragedy is somewhat cold and unaffecting, compared with some others of Shakspeare's plays, is true ;-Lear, Hamlet, and Othello are holy ground: but how insensible must that heart be that is not deeply moved at Brutus's announcement of Portia's death, at his resolution to die rather than be led captive through the streets of Rome, and at the everlasting farewell between the reconciled friends. That nothing might be wanting to complete the glory of his character, Mark Antony is made to bear the following eloquent testimony to his vir tues: "This was the noblest Roman of them all: So mix'd in him, that nature might stand up, The chronology of Mr. Malone has fixed the date of this tragedy to the year 1607. It was revived in 1663 by the company formerly belonging to the Red Bull, but at that time acting at the new theatre in Drury Lane, under the management of Thomas Killigrew; who obtained a patent from King Charles II., in order to create them the king's servants. Cassius was played by Major Mohun, Brutus by Mr. Hart, and Mark Antony by Mr. Kynaston. The Merchant of Venice, King Henry IV. Part I., Othello, and Julius Cæsar, were classed among the principal old stock-plays. Out of a list of fifteen dramas given by Downes, seven are by Beaumont and Fletcher, three by Ben Jonson, and three, only, by Shakspeare. The genius that gave life and energy to this noble tragedy cannot but live in the remembrance of those who have beheld the late Mr. Kemble, in Brutus. To recall the beauties of that grand performance must be gratifying to every lover of the histrionic art; while any attempt to convey a notion of them to those who have never witnessed it, would be flat and unprofitable. We may tell the youthful amateur that, to the highest conception he can possibly form of acting, from his own experience, Kemble's Brutus is Olympus to a molehill. Mr. Young has of late exchanged Cassius for Brutus; which is not (as Bishop Juxon said to King Charles on the scaffold)" a good exchange," but a bad exchange; for his Cassius was fine, while his Brutus is mediocre. Mark Antony is beautifully acted by Mr. Charles Kemble. This was a part in which the unfortunate Conway more particularly excelled. D-G. Re-enter Lucius, R. Luc. The taper burneth in your closet, sir. Bru. Get you to bed again: it is not day.— Bru. Look in the calendar, and bring me word. and reads [Lightning.-Exit Lucius, R The exhalations, whizzing in the air, Give so much light, that I may read by them. [Opens the paper, holds it up, "Brutus, thou sleep'st; awake, and see thyself. Shall Rome, &c. Speak, strike, redress! Brutus, thou sleep'st; awake,' "" Such instigations have been often dropp'd "Shall Rome, &c." Thus must I piece it out:- Rome? My ancestors did from the streets of Rome The Tarquin drive, when he was called a king.— What! To speak and strike? O, Rome! I make the promise, If the redress will follow, thou receivest Thy full petition at the hand of Brutus. Re-enter LUCIus, r. Luc. Sir, March is wasted fourteen days. Bru. 'Tis good. [Knocking without, L. Go to the gate; somebody knocks.-[Exit Lucius, L. Since Cassius first Did whet me against Cæsar, I've not slept. Re-enter LUCIUS, L. Luc. Sir, 'tis your brother Cassius at the door, Who doth desire to see you. JULIUS CÆSAR. ACT I. SCENE I.-Rome.-A Street.-A great Tumult without. Enter CASCA and TREBONIUS, R. meeting Plebeians from 1. Cas. (c.) Hence; home, you idle creatures, get you Is this a holiday? What! know you not, Of your profession ?-Speak, what trade art thou? Tre. (R.) Where is thy leather apron, and thy rule? You, sir; what trade are you? Second Ple. (R. c.) Truly, sir, in respect of a fine workman, I am but, as you would say, a cobbler. Tre. But what trade art thou? Answer me directly. Second. Ple. A trade, sir, that, I hope, I may use with a safe conscience; which is, indeed, sir, a mender of bad soals. Cas. (c.) What trade, thou knave? thou naughty knave, what trade? Second. Ple. Nay, I beseech you, sir, be not out with me: yet, if you be out, sir, I can mend you. Cas. What mean'st by that? Mend me, thou saucy fellow? Second. Ple. Why, sir, cobble you. Tre. Thou art a cobbler, art thou? Second. Ple. Truly, sir, all that I live by is the awl: I meddle with no trade-man's matters, nor woman's matters but with awl. I am, indeed, sir, a surgeon to old shoes ; when they are in great danger, I re-cover them. As proper men as ever trod upon neats-leather have gone upon my handy-work. Tre. But wherefore art not in thy shop to-day? Why dost thou lead these men about the streets? |