The Literary Universe of Jack B. YeatsCatholic University of America Press, 1992 - 288 páginas Jack B. Yeats (1871-1957), younger brother of William Butler Yeats, is best known as a painter. He is less known as an accomplished writer, primarily of fiction and drama. Nora A. McGuinness sets out to explore this other creative side of Jack B. Yeats and to establish his reputation beyond the realm of visual art. Using a thematic method of study, McGuinness examines the entire corpus of Yeats's written work, tracing his themes through both fiction and drama. She finds in Yeats's life and in twentieth-century Irish history the background needed to appreciate his written work and traces the influences of nationalism and socialism on his aesthetics in order to shed light on the origin of his themes. Uncovering a consistent philosophy and a unified political and social point of view, McGuinness emphasizes Yeats's seriousness as a writer and places his work in the tradition of experimental Irish fiction and drama of the Modernist period. The first study to examine the literary art of Jack B. Yeats as a coherent body of work, this volume should be essential to all Irish studies scholars, literary critics, drama and theater historians, and art historians. The Literary Universe of Jack B. Yeats succeeds admirably in identifying and elucidating the originality and power of the vision that illuminated both his writing and painting. |
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Página 48
... vision of Ireland , the Grand Conversation with the muse had to become sub rosa , but in 1913 Jack was still hoping to share the vision with his audience . His struggles to master the new medium of oils for expressing his vision for his ...
... vision of Ireland , the Grand Conversation with the muse had to become sub rosa , but in 1913 Jack was still hoping to share the vision with his audience . His struggles to master the new medium of oils for expressing his vision for his ...
Página 116
... vision ; he “ wavered . ” Like Larry , who imitated models and saw what others wished him to see , James turns outward at first and seeks fulfillment in the dreams of others by going into a cinema . James learns , as Larry did not , to ...
... vision ; he “ wavered . ” Like Larry , who imitated models and saw what others wished him to see , James turns outward at first and seeks fulfillment in the dreams of others by going into a cinema . James learns , as Larry did not , to ...
Página 181
... visions , complementary to those of Mark , are of English history . Gaw's visions go backward in historical time , and they come forward to the present . The first vision is of an eigh- teenth - century English village with a man in a ...
... visions , complementary to those of Mark , are of English history . Gaw's visions go backward in historical time , and they come forward to the present . The first vision is of an eigh- teenth - century English village with a man in a ...
Conteúdo
A Sense of Place and Past | 13 |
Thematic Continuity in | 60 |
Thematic Continuity in | 165 |
Direitos autorais | |
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Termos e frases comuns
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