The Literary Universe of Jack B. YeatsCatholic University of America Press, 1992 - 288 páginas Jack B. Yeats (1871-1957), younger brother of William Butler Yeats, is best known as a painter. He is less known as an accomplished writer, primarily of fiction and drama. Nora A. McGuinness sets out to explore this other creative side of Jack B. Yeats and to establish his reputation beyond the realm of visual art. Using a thematic method of study, McGuinness examines the entire corpus of Yeats's written work, tracing his themes through both fiction and drama. She finds in Yeats's life and in twentieth-century Irish history the background needed to appreciate his written work and traces the influences of nationalism and socialism on his aesthetics in order to shed light on the origin of his themes. Uncovering a consistent philosophy and a unified political and social point of view, McGuinness emphasizes Yeats's seriousness as a writer and places his work in the tradition of experimental Irish fiction and drama of the Modernist period. The first study to examine the literary art of Jack B. Yeats as a coherent body of work, this volume should be essential to all Irish studies scholars, literary critics, drama and theater historians, and art historians. The Literary Universe of Jack B. Yeats succeeds admirably in identifying and elucidating the originality and power of the vision that illuminated both his writing and painting. |
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Página 100
... society , society as it is dominated by the conditions and concerns necessary for civilization . These may be characterized as " Apollonian " concerns . The dismissed one then becomes , in the eye of the dismisser , a “ Dionysian ...
... society , society as it is dominated by the conditions and concerns necessary for civilization . These may be characterized as " Apollonian " concerns . The dismissed one then becomes , in the eye of the dismisser , a “ Dionysian ...
Página 189
... society which had failed to live up to his ideals . The prevailing preoccupation of the drama for the larger theatre ( the use of the term indicates that he regarded it as different only in size from the puppet theatre of his early ...
... society which had failed to live up to his ideals . The prevailing preoccupation of the drama for the larger theatre ( the use of the term indicates that he regarded it as different only in size from the puppet theatre of his early ...
Página 227
... society and its rejection of the vision of the artist . In a prophetic drawing at the end of A Broadside , the artist watches sadly while unheeding passersby ignore his chalked message " Up Kerry ! " The Silencer The next play is also a ...
... society and its rejection of the vision of the artist . In a prophetic drawing at the end of A Broadside , the artist watches sadly while unheeding passersby ignore his chalked message " Up Kerry ! " The Silencer The next play is also a ...
Conteúdo
A Sense of Place and Past | 13 |
Thematic Continuity in | 60 |
Thematic Continuity in | 165 |
Direitos autorais | |
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Termos e frases comuns
accept action aesthetic Amaranthers appear artist Aspects attempt attitudes audience authenticity ballad become better Bowsie Broadside called characteristic characters Charmed comes continues criticism culture death described drama drawing Dublin earlier early English example experience exploration express fabulation father fiction Flower forces friends Gaelic give human ideal imaginative important Ireland Irish island isolation Jack James John journey language larger later less literary living London look Mark Matter memory metaphor motif narrative nationalist nature never outsider painting perhaps pirate play political present Press primary published Pyle reflects relation represents rhythms road Sailing says sense shows similar Sligo social social criticism society speaks speech spring tale tells theatre theme things thought tion tradition traveller turn universe vision writing Yeats Yeats's