Criticism in America, Its Functions and StatusIrving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry Harcourt, Brace, 1924 - 322 páginas |
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Página 20
... method of Criticism based upon it , were the Germans of the age that stretches from Herder to Hegel . All the forces of philosophical thought were focused on this central concept , while the critics 20 J. E. Spingarn.
... method of Criticism based upon it , were the Germans of the age that stretches from Herder to Hegel . All the forces of philosophical thought were focused on this central concept , while the critics 20 J. E. Spingarn.
Página 43
... method . How can the critic answer this ques- tion without becoming ( if only for a moment of supreme power ) at one with the creator ? That is to say , taste must reproduce the work` of art within itself in order to understand and ...
... method . How can the critic answer this ques- tion without becoming ( if only for a moment of supreme power ) at one with the creator ? That is to say , taste must reproduce the work` of art within itself in order to understand and ...
Página 47
... method , every one must become his own critic , since to create or re - create is a deeply personal act . I pass no judgment on this the- ory now , but I shall return to it and shall endeavor to draw out its fruitful side . I de- sire ...
... method , every one must become his own critic , since to create or re - create is a deeply personal act . I pass no judgment on this the- ory now , but I shall return to it and shall endeavor to draw out its fruitful side . I de- sire ...
Página 49
... method brings out the distinguishing features , as wholes , of the artistic periods to which it is applied , maps as it were their local and temporal emergence as units of history , and displays on the back- ground of the common milieu ...
... method brings out the distinguishing features , as wholes , of the artistic periods to which it is applied , maps as it were their local and temporal emergence as units of history , and displays on the back- ground of the common milieu ...
Página 53
... heavily upon him in proportion to the presence in the work of art of what is alien in time , race and method . The injunction to re - create what was in the mind of the artist , when put forth with the 53 Two Phases of Criticism.
... heavily upon him in proportion to the presence in the work of art of what is alien in time , race and method . The injunction to re - create what was in the mind of the artist , when put forth with the 53 Two Phases of Criticism.
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Criticism in America: Its Function and Status Irving Babbitt,Van Wyck Brooks,W. C. Brownell Prévia não disponível - 2011 |
Termos e frases comuns
achievement Æschylus American criticism Aristotle Arnold artist artist-life artist's mind beauty become Benedetto Croce century cism civilization conception create creative creator crit doctrine drama Dreiser emotion ence English ERNEST BOYD essay esthetic esthetic criticism experience expression fact faculty feeling function genius and taste give Goethe H. L. MENCKEN human ical icism ideal ideas imagination impression impulse individual intellectual intelligence judge judgment less literary live Mark Twain material Matthew Arnold mean ment merely modern moral moralist national genius nature novel novelist object one's original ourselves philosophic phrase Plato poem poet poet's poetry practice pression primitivist professor Puritan race re-creation reality Sainte-Beuve sense Shakespeare society soul Spingarn spirit standards Symons T. S. ELIOT temperament Theodore Dreiser theory thing thought tical tion tive tradition true truth verse vision vital Voltaire whole words world of art write
Passagens mais conhecidas
Página 214 - The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it.
Página 180 - First, we must have made plain to ourselves what the poet's aim really and truly was, how the task he had to do stood before his own eye, and how far, with such means as it afforded him, he has fulfilled it.
Página 220 - It may partly or exclusively operate upon the experience of the man himself; but the more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will die mind digest and transmute the passions which are its material.
Página 117 - Thus it tends, at last, to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces ; to make the best ideas prevail.
Página 217 - Europe — the mind of his own country — a mind which he learns in time to be much more important than his own private mind — is a mind which changes, and that this change is a development which abandons nothing en route, which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen. That this development, refinement perhaps, complication certainly, is not, from the point of view of the artist, any improvement. Perhaps not even an improvement from...
Página 325 - There is Lowell, who's striving Parnassus to climb With a whole bale of isms tied together with rhyme, He might get on alone, spite of brambles and boulders, But he can't with that bundle he has on his shoulders, The top of the hill he will ne'er come nigh reaching Till he learns the distinction 'twixt singing and preaching...
Página 213 - Whereas if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously...
Página 214 - ... the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
Página 154 - In the fairyland of fancy, genius may wander wild ; there it has a creative power, and may reign arbitrarily over its own empire of chimeras.
Página 227 - This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself to such practical conclusions as can be applied by the responsible person interested in poetry. To divert interest from the poet to the poetry is a laudable aim: for it would conduce to a juster estimation of actual poetry, good and bad.