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able achievement American artist beauty become begins called century civilization common complete conception concern course create creative criticism elements emotion English essay essential esthetic example existence experience expression fact failed feeling field function genius give hand heart human ideal ideas imagination important impression individual intelligence interest judge judgment kind knowledge least less letters literary literature live material matter mean merely method mind moral nature never object once original ourselves past perhaps philosophic poem poet poetry practice present professors pure Puritan question race reality reason result reviewing rules seems sense society soul speak spirit standards success taste theory thing thought tion tradition true truth turn understand universal vision whole write young
Página 216 - The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it.
Página 222 - It may partly or exclusively operate upon the experience of the man himself; but the more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will die mind digest and transmute the passions which are its material.
Página 119 - Thus it tends, at last, to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces ; to make the best ideas prevail.
Página 219 - Europe — the mind of his own country — a mind which he learns in time to be much more important than his own private mind — is a mind which changes, and that this change is a development which abandons nothing en route, which does not superannuate either Shakespeare, or Homer, or the rock drawing of the Magdalenian draughtsmen. That this development, refinement perhaps, complication certainly, is not, from the point of view of the artist, any improvement. Perhaps not even an improvement from...
Página 327 - There is Lowell, who's striving Parnassus to climb With a whole bale of isms tied together with rhyme, He might get on alone, spite of brambles and boulders, But he can't with that bundle he has on his shoulders, The top of the hill he will ne'er come nigh reaching Till he learns the distinction 'twixt singing and preaching...
Página 215 - Whereas if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously...
Página 216 - ... the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
Página 156 - In the fairyland of fancy, genius may wander wild ; there it has a creative power, and may reign arbitrarily over its own empire of chimeras.
Página 229 - This essay proposes to halt at the frontier of metaphysics or mysticism, and confine itself to such practical conclusions as can be applied by the responsible person interested in poetry. To divert interest from the poet to the poetry is a laudable aim: for it would conduce to a juster estimation of actual poetry, good and bad.