The Expedition of Gradasso: A Metrical Romance. Selected from the Orlando InnamoratoGraisberry, 1812 - 320 páginas |
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Página 20
... strong toil.- He feels his boasted firmness quick recede , And thus in secret to himself he said : - " Resistless power ! -Oh , whatsoe'er thou art , That forceful thus enchains my vanquish'd heart , 280 Say why this change - no arms ...
... strong toil.- He feels his boasted firmness quick recede , And thus in secret to himself he said : - " Resistless power ! -Oh , whatsoe'er thou art , That forceful thus enchains my vanquish'd heart , 280 Say why this change - no arms ...
Página 32
... — When Malagigi heard The motive of the strangers ' voyage declar'd , He trembled - struck at once with rage and dread , And thus , in strong impassion'd accents , said : 490 " Oh ! how can wisdom guard ' gainst fraudful 32 THE EXPEDITION.
... — When Malagigi heard The motive of the strangers ' voyage declar'd , He trembled - struck at once with rage and dread , And thus , in strong impassion'd accents , said : 490 " Oh ! how can wisdom guard ' gainst fraudful 32 THE EXPEDITION.
Página 42
... strong the spell he wrought , that o'er the ground Their cumb'rous forms lay lock'd in sleep profound . The Paladin , with ardour misinspir'd , Gain'd the retreat of her whom all admir'd.- With firmness unappal'd , with savage joy , He ...
... strong the spell he wrought , that o'er the ground Their cumb'rous forms lay lock'd in sleep profound . The Paladin , with ardour misinspir'd , Gain'd the retreat of her whom all admir'd.- With firmness unappal'd , with savage joy , He ...
Página 44
... strong dismay O'erpower'd , on seeing all his arts o'erthrown , And ev'ry hope of deep - plann'd vengeance gone . Within his nervous grasp Argalia held The Paladin , whom shame and wonder quell'd To unresisting tameness - different far ...
... strong dismay O'erpower'd , on seeing all his arts o'erthrown , And ev'ry hope of deep - plann'd vengeance gone . Within his nervous grasp Argalia held The Paladin , whom shame and wonder quell'd To unresisting tameness - different far ...
Página 55
... strong- 270 In silence many moments bound his tongue , Till wild emotion burst the painful chain , And gave free course to murmurs breath'd in vain . " O ! Fortune - cruel enemy ( he cried ) 274 How could'st thou thus my cherish'd wish ...
... strong- 270 In silence many moments bound his tongue , Till wild emotion burst the painful chain , And gave free course to murmurs breath'd in vain . " O ! Fortune - cruel enemy ( he cried ) 274 How could'st thou thus my cherish'd wish ...
Outras edições - Ver todos
The Expedition of Gradasso; a Metrical Romance. Selected from the Orlando ... Matteo Maria Boiardo Prévia não disponível - 2012 |
The Expedition of Gradasso; a Metrical Romance. Selected from the Orlando ... Matteo Maria Boiardo Prévia não disponível - 2016 |
Termos e frases comuns
Angelica appear'd ardent ardour Argalia Ariosto arms Astolpho Ballyconnell band Bayardo bear beauteous beheld boast Bojardo bosom brave breast bright CANTO Charlemagne charms confest course courser cried cyclop dame dare death deeds destin'd Devon dread E'en enchanted Enniskillen epic ev'ry EXPEDITION OF GRADASSO eyes fair fame fancy fatal fate feelings fell Ferrau field fierce fight fill'd fir'd force gain'd gainst Galaphron gen'ral gen'rous giant glory grace hapless haste heart Heav'n honor's hope ills inspir'd king knight knightly lance Liverpool lofty M. D. Cork maid Malagigi Marsilius MATTEO MARIA BOIARDO mind Miss monarch mourn'd ne'er Newry o'er Orlando Furioso Orlando Innamorato Pagan Paladin pleas'd poem pow'r pride pursue rage reach'd rear'd remain'd Rinaldo Saracens Scandiano scorn seem'd Sericans sight soon sorrows soul steed strife strong Summer-hill thee thou thro tow'ring train translation turn'd urg'd utmost valour vanquish'd view'd warrior woes wond'rous wretched yield
Passagens mais conhecidas
Página 306 - And twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt; the strong-bas'd promontory Have I made shake, and by the spurs pluck'd up The pine and cedar; graves at my command Have wak'd their sleepers, op'd, and let 'em forth By my so potent art.
Página 313 - Two urns by Jove's high throne have ever stood, The source of evil one, and one of good ; From thence the cup of mortal man he fills, Blessings to these, to those distributes ills; To most, he mingles both : the wretch decreed To taste the bad, unmix'd, is cursed indeed; Pursued by wrongs, by meagre famine driven, He wanders, outcast both of earth and heaven.
Página 307 - And without more words you will readily apprehend that the fancies of our modern bards are not only more gallant, but, on a change of the scene, more sublime, more terrible, more alarming, than those of the classic fablers.
Página 305 - The current popular tales of Elves and Fairies were even fitter to take the credulous mind, and charm it into a willing admiration of the specious miracles which wayward fancy delights in, than those of the old traditionary rabble of Pagan divinities.
Página 307 - ... use of to amuse mankind, and frighten them into a sense of their duty. Our forefathers looked upon nature with more reverence and horror, before the world was enlightened by learning and philosophy, and loved to astonish themselves with the apprehensions of witchcraft, prodigies...
Página 308 - Whereas the poet has a world of his own, where experience has less to do, than consistent imagination.
Página 310 - That which passes in representation and challenges, as it were, the scrutiny of the eye, must be truth itself, or something very nearly approaching to it.
Página 307 - Horrour, before the World was enlightened by Learning and Philosophy, and loved to astonish themselves with the Apprehensions of Witchcraft, Prodigies, Charms and Enchantments. There was not" a Village in England that had not a Ghost in it, the Churchyards were all haunted, every large Common had a Circle of Fairies1 belonging to it, and there was scarce a Shepherd to be met with who had not seen a Spirit.
Página 309 - The reason is, we must first believe, before we can be affected. But the case is different with the more sublime and creative poetry. This species, addressing itself solely or principally to the imagination (a young and credulous faculty, which loves to admire and to be deceived...
Página 310 - The tales of faery are exploded, as fantastic and incredible. They would merit this contempt, if presented on the stage ; I mean, if they were given as the proper subject of dramatic imitation, and the interest of the poet's plot were to be wrought out of the adventures of these marvellous persons. But the epic muse runs no risque in giving way to such fanciful exhibitions.