William Shakespeare, King LearSusan Bruce Humanities-Ebooks, 01.01.1998 - 192 Seiten |
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... Romeo and Juliet, Julius Caesar, Hamlet,Othello, Macbeth, orAntony and Cleopatra to be whollysombre from beginning to end.{6} But not all tragedies have faredas well—Coriolanus tendsto remain grimly humourless in performance, as does ...
... Romeo and Juliet, Julius Caesar, Hamlet,Othello, Macbeth, orAntony and Cleopatra to be whollysombre from beginning to end.{6} But not all tragedies have faredas well—Coriolanus tendsto remain grimly humourless in performance, as does ...
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... Romeo and Juliet and Polonius in Hamlet. Andjustas much as Polonius, from whom hedescends theatrically, Learisgenerically misplaced, a role builton a comedic armature with comedy's typical lack of foresight and propensities toblather ...
... Romeo and Juliet and Polonius in Hamlet. Andjustas much as Polonius, from whom hedescends theatrically, Learisgenerically misplaced, a role builton a comedic armature with comedy's typical lack of foresight and propensities toblather ...
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... Romeo and Juliet, allmaidenheads andinnuendo, is a laugh foreveryone, butthe pleasureofthe sonnetRomeo and Julietpiece together in their courting dialogue isa rarer gracenote: whatmatters isn't that oneis ruder/cleverer than the other ...
... Romeo and Juliet, allmaidenheads andinnuendo, is a laugh foreveryone, butthe pleasureofthe sonnetRomeo and Julietpiece together in their courting dialogue isa rarer gracenote: whatmatters isn't that oneis ruder/cleverer than the other ...
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... Romeo and Juliet, and all other Shakespearean lovers whose “course of true love never did run smooth” (A Midsummer Night's Dream, 1.1.134). The vigorous sestets, rhyming ababcc, fluidly combine the racy narrative (carried in the ...
... Romeo and Juliet, and all other Shakespearean lovers whose “course of true love never did run smooth” (A Midsummer Night's Dream, 1.1.134). The vigorous sestets, rhyming ababcc, fluidly combine the racy narrative (carried in the ...
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