The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 45
... tion . So , too , if a service is judged on the basis of speed and quality , quality is likely to fall before speed because poor quality can be concealed but not slow service . Simi- larly , if attendants in a mental ward are to ...
... tion . So , too , if a service is judged on the basis of speed and quality , quality is likely to fall before speed because poor quality can be concealed but not slow service . Simi- larly , if attendants in a mental ward are to ...
Página 176
... tion , we expect him to communicate only through the lips of the character he has chosen to project , openly addressing all of his remarks to the whole interaction so that all persons present are given equal status as recipients of ...
... tion , we expect him to communicate only through the lips of the character he has chosen to project , openly addressing all of his remarks to the whole interaction so that all persons present are given equal status as recipients of ...
Página 177
... tion fostered by him , he may convey a great deal during an interaction that is out of character and convey it in such a way as to prevent the audience as a whole from realizing that anything out of keeping with the definition of the ...
... tion fostered by him , he may convey a great deal during an interaction that is out of character and convey it in such a way as to prevent the audience as a whole from realizing that anything out of keeping with the definition of the ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual