The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 81
... standards , he may associate these standards with a reference group of some kind , thus creating a non - present audience for his activity . This pos- sibility leads us to consider a further one . The individual may privately maintain ...
... standards , he may associate these standards with a reference group of some kind , thus creating a non - present audience for his activity . This pos- sibility leads us to consider a further one . The individual may privately maintain ...
Página 107
... standards . These standards seem to fall into two broad groupings . One grouping has to do with the way in which the performer treats the audience while engaged in talk with them or in gestural interchanges that are a substitute for ...
... standards . These standards seem to fall into two broad groupings . One grouping has to do with the way in which the performer treats the audience while engaged in talk with them or in gestural interchanges that are a substitute for ...
Página 108
... standards that must be maintained . Providing the standard is maintained by sanctions and by a sanctioner of some kind , it will often be of small moment to the performer whether the standard is justified chiefly on instrumental grounds ...
... standards that must be maintained . Providing the standard is maintained by sanctions and by a sanctioner of some kind , it will often be of small moment to the performer whether the standard is justified chiefly on instrumental grounds ...
Conteúdo
ACKNOWLEDGMENTS ix | 1 |
PERFORMANCES | 17 |
TEAMS | 77 |
Direitos autorais | |
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishments society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual