The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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... observing the in- formant talking to others ; observers of the observer will then not as easily discover where he ... observe the visitor unobserved as he approached the house , islanders some- times took pleasure in watching the ...
... observing the in- formant talking to others ; observers of the observer will then not as easily discover where he ... observe the visitor unobserved as he approached the house , islanders some- times took pleasure in watching the ...
Página 144
... observe it . We may also distinguish these crucial roles on the basis of in- formation ordinarily available to those ... observation . In the main , they know the definition of the situation that the performance fosters but do not have ...
... observe it . We may also distinguish these crucial roles on the basis of in- formation ordinarily available to those ... observation . In the main , they know the definition of the situation that the performance fosters but do not have ...
Página 248
Erving Goffman. we can observe a parallel process , which might be called " role enterprise , " within a particular social establishment , whereby a particular member attempts not so much to move into a higher position already ...
Erving Goffman. we can observe a parallel process , which might be called " role enterprise , " within a particular social establishment , whereby a particular member attempts not so much to move into a higher position already ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual