The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 60
... fact about their lives , we may have some sympathy for those who have but one fatal flaw and who attempt to conceal the fact that they are , for example , ex - convicts , deflowered , epileptic , or racially impure , instead of admit ...
... fact about their lives , we may have some sympathy for those who have but one fatal flaw and who attempt to conceal the fact that they are , for example , ex - convicts , deflowered , epileptic , or racially impure , instead of admit ...
Página 88
... fact that an opportunity for such prior con- sultation was available to them . In other words , in staging a definition of the situation , it may be necessary for the several members of the team to be unanimous in the posi- tions they ...
... fact that an opportunity for such prior con- sultation was available to them . In other words , in staging a definition of the situation , it may be necessary for the several members of the team to be unanimous in the posi- tions they ...
Página 141
... fact that is hidden and another is the fact that crucial facts have not been openly admitted . Dark secrets were consid-
... fact that is hidden and another is the fact that crucial facts have not been openly admitted . Dark secrets were consid-
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual