The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 24
... expect will follow the performer wherever he goes . As part of personal front we may include : insignia of office or rank ; clothing ; sex , age , and racial characteristics ; size and looks ; posture ; speech patterns ; facial ...
... expect will follow the performer wherever he goes . As part of personal front we may include : insignia of office or rank ; clothing ; sex , age , and racial characteristics ; size and looks ; posture ; speech patterns ; facial ...
Página 85
... expect the line to be unequally congenial to the members of the team . We may expect ironic remarks by which a teammate jokingly rejects the line while seriously accepting it . On the other hand , there will be the new factor of loyalty ...
... expect the line to be unequally congenial to the members of the team . We may expect ironic remarks by which a teammate jokingly rejects the line while seriously accepting it . On the other hand , there will be the new factor of loyalty ...
Página 113
... expect that no mem- ber of the audience will intrude . Since the vital secrets of a show are visible backstage and since performers behave out of character while there , it is natural to expect that the passage from the front region to ...
... expect that no mem- ber of the audience will intrude . Since the vital secrets of a show are visible backstage and since performers behave out of character while there , it is natural to expect that the passage from the front region to ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual