The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 10
... claims made by the others present , we can ap- preciate the crucial importance of the information that the individual initially possesses or acquires concerning his fel- low participants , for it is on the basis of this initial informa ...
... claims made by the others present , we can ap- preciate the crucial importance of the information that the individual initially possesses or acquires concerning his fel- low participants , for it is on the basis of this initial informa ...
Página 13
... claims he is . In consequence , when an individual projects a definition of the situation and thereby makes an implicit or explicit claim to be a person of a particu- lar kind , he automatically exerts a moral demand upon the others ...
... claims he is . In consequence , when an individual projects a definition of the situation and thereby makes an implicit or explicit claim to be a person of a particu- lar kind , he automatically exerts a moral demand upon the others ...
Página 60
... claims that are discredited in the last chapter , the villain proving not to have a high status , the hero proving not to have a low one . Further , while we may take a harsh view of performers such as confidence men who knowingly ...
... claims that are discredited in the last chapter , the villain proving not to have a high status , the hero proving not to have a low one . Further , while we may take a harsh view of performers such as confidence men who knowingly ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual