The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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... cerned with the latter , with the more theatrical and con- textual kind , the non - verbal , presumably unintentional kind , whether this communication be purposely engineered or not . As an example of what we must try to examine , I ...
... cerned with the latter , with the more theatrical and con- textual kind , the non - verbal , presumably unintentional kind , whether this communication be purposely engineered or not . As an example of what we must try to examine , I ...
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... concerned with testing the unapparent characteristics and qualities of the work - accomplishments of another set of individuals , and this other set will be con- cerned with giving the impression that their work embodies these hidden ...
... concerned with testing the unapparent characteristics and qualities of the work - accomplishments of another set of individuals , and this other set will be con- cerned with giving the impression that their work embodies these hidden ...
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... cerned not with the moral issue of realizing these standards , but with the amoral issue of engineering a convincing im- pression that these standards are being realized . Our ac- tivity , then , is largely concerned with moral matters ...
... cerned not with the moral issue of realizing these standards , but with the amoral issue of engineering a convincing im- pression that these standards are being realized . Our ac- tivity , then , is largely concerned with moral matters ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual