The Presentation of Self in Everyday LifeKnopf Doubleday Publishing Group, 20 de mai. de 1959 - 272 páginas Based upon detailed research and observation of social customs in many regions, here is a notable contribution to our understanding of ourselves, using theatrical performance as a framework. This book explores the realm of human behavior in social situations and the way that we appear to others. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. |
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Página 20
... become persons.1 This may be illustrated from the community life of Shet- land . For the last four or five years the island's tourist hotel has been owned and operated by a married couple of crofter origins . From the beginning , the ...
... become persons.1 This may be illustrated from the community life of Shet- land . For the last four or five years the island's tourist hotel has been owned and operated by a married couple of crofter origins . From the beginning , the ...
Página 120
... become so sacred that the only fitting appearance they can make is in the center of a retinue and ceremony ; it may be thought improper for them to appear before others in any other context , as such informal appearances may be thought ...
... become so sacred that the only fitting appearance they can make is in the center of a retinue and ceremony ; it may be thought improper for them to appear before others in any other context , as such informal appearances may be thought ...
Página 251
... become a performing team and the ob- servers become the audience . Actions which appear to be done on objects become gestures addressed to the audience . The round of activity becomes dramatized . We come now to the basic dialectic . In ...
... become a performing team and the ob- servers become the audience . Actions which appear to be done on objects become gestures addressed to the audience . The round of activity becomes dramatized . We come now to the basic dialectic . In ...
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action activity American ance appearance back region backstage become behavior called cerned character claims client colleague collusion communication conceal convey course crofters cues definition discredit disruptions doctor dramatic dramaturgical dramaturgical perspectives embarrassing employed example expect expressive fact feel filling station formance fostered front region function give given go-between guests Hans Speier illustration important impression impression management individual interaction involves Kenneth Burke kind kitchen maintain means ment middle-class moral observe occur one's participants particular patients Perhaps play position present projected reality refer relaxation role routine secrets servants Shetland Isle Similarly Simone de Beauvoir situation social distance social establishment society Sociology someone sometimes specialist staff stage standards status suggested superordinate sustain tact talk teammates tell tend things tion University of Chicago unpublished vidual