CEA Critic, Volume 57Department of English, Texas A & M University, 1994 |
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Página 38
... woman except to believe she is a goddess ( 1.34.1 ) , an interesting variation on the comments of Christine's critics who thought she had a ghostwriter , and of Boccaccio , who also sees a female achiever as something else other than a ...
... woman except to believe she is a goddess ( 1.34.1 ) , an interesting variation on the comments of Christine's critics who thought she had a ghostwriter , and of Boccaccio , who also sees a female achiever as something else other than a ...
Página 62
... Woman story , a young woman awakens to find herself beside a stranger who has , we guess at first , abducted her from her village . As the story unfolds , the man's actions and the woman's responses seem to resemble those of lovers more ...
... Woman story , a young woman awakens to find herself beside a stranger who has , we guess at first , abducted her from her village . As the story unfolds , the man's actions and the woman's responses seem to resemble those of lovers more ...
Página 63
... Woman's , the protagonist's , and the narrator's . Returning home , her family is seemingly oblivious to her ... Woman stories he liked to tell best . ( Silko 62 ) Other stories introduce Spider Woman ( 67-76 , 140–54 ) , the character ...
... Woman's , the protagonist's , and the narrator's . Returning home , her family is seemingly oblivious to her ... Woman stories he liked to tell best . ( Silko 62 ) Other stories introduce Spider Woman ( 67-76 , 140–54 ) , the character ...
Conteúdo
REEVALUATING THE BOUNDARIES | 1 |
Who Speaks for Autobiography? | 9 |
The Oral Autobiography | 20 |
Direitos autorais | |
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action American argue arguments attempt authority autobiography Baldwin become begins called Christine College course create critical cultural David death desire discussion Douglass early effect England English essay evidence example experience fact father feel fiction figure final Giovanni's human idea identity images imagination important individual influence interest issues James John kind language later learning literary literature lives look means memory mind moved narrative nature never notes novel once phallogocentric play poem political possible practice present question readers reading relation relationship response rhetoric role seems sense slave social speak story suggests teaching tell theory things thought traditional true truth trying understand University Utopia voice Willy woman women writing written York