CONTENTS

OF

No. XXIX.

ARTICLE

I. "Tell me where is Fancy bred"

II. Of the application of Passages or Divisions to Music

VII. A Word or Two on the Flute, by N. W. James

VIII. New Sonatas

IX. Hummel's Trio...

X. Tulou's Giovinetto Cavalier

XI. New Lessons...

70

71

XII. Grand Fantasia and Varations on " Au clair de la lune ;" by

J. Moscheles. New Edition .....

XIII. New Lessons

XIV. New Lessons

XV. A Companion to the Piano Forte Primer, containing the Ru-

diments of Fingering, exemplified in a series of Exercises,

with explanations of the manner in which they are to be

played, and remarks on the mode of practising in general,

intended to assist the Student in the absence of the Master;

by J. F. Burrowes....

XVI. New Piano Forte Lessons

XVII. A Selection of popular National Airs, with Symphonies and

Accompaniments, by Henry R. Bishop; the Words by

Thos. Moore, Esq. Fifth Number

XVIII. The Bee, a Duet for two Trebles, with an Accompaniment

for the Piano Forte or Harp; the Poetry from Rogers's

Pleasures of Memory; the Music by Wm. H. Callcott

2. Canst thou forget the silent Tears, a Ballad; the Poetry

translated from Camoens, by Lord Viscount Strangford;

the Music by Wm. H. Callcott

3. The Last Man, a Scena; the Poetry by Thos. Campbell, Esq.

the Music by Wm. H. Callcott

XIX. He stood at the Foot of that Sacred Hill; Words by John

Bowring, Esq. Music by Joseph De Pinna

XX. Oberon, or the Elf King's Oath, a popular Romantic and

Fairy Opera; the Poetry by J. R. Planché, Esq. composed

and arranged with an Accompaniment for the Piano Forte,

by Carl Maria Von Weber. Parts 1, 2, & 3.

....

XXI. Hummel's New Lessons

101

ARTICLE

XXII. Fantasia & grand Variations on the Jager Chorus, by J. Cohan

2., Llwyn On, or the Ash Grove, with Variations for the Piano

Forte, by Signor Ramon Carnicier

PAGE

.... 103

XXIII. Introduction and March from Ricciardo e Zoraide, for the

Piano Forte, by Mrs. Miles

XXIV. Italian Songs

XXV. The Juvenile Band, composed and arranged for the early

Practice of Playing in Concert, by Rolphino Lacy and John

Green

2. Nos. 1 and 2 of a Series of Preparatory Exercises for the

Piano Forte, by J. C. Clifton

3. Introductory Preludes and Progressive Lessons for the Piano

104

104

Forte, on admired Airs, adapted by J. de Pinna ........ 105

XXVI. Etudes pour le Piano Forte, par Aloise Schmitt. Op.16. 3 parts 105

XXVII. The Fitzwilliam Music, being a collection of Sacred Pieces

selected from Manuscrips of Italian Composers in the Fitz-

william Museum. Now for the first time published, by

permission of the University of Cambridge, by Vincent

Novello, Organist to the Portuguese Embassy

XXVIII. New Lessons

XXIX. New Lessons

XXX. Barnett's Songs.

XXXI. The Battle of Hohenlinden; the Words by Thos. Campbell,

Esq. the Music by Charles E. Horn

2. Go little fragrant blooming Rose; Ballad, composed by Chas.

E. Horn

3. I've been roaming; a Cavatina, by Chas. E. Horn....

XXXII. Appendix to Nicholson's Preceptive Lessons, consisting of an

entirely new course of Exercises or Capriccios for the Flute,

with a Piano Forte Accompaniment; the whole fingered

with the greatest care according to the Author's mode of

practice, and peculiarly adapted for the study and im-

provement of every Amateur who is ambitious of excelling

on the Instrument...

XXXIII. The Sisters; Duet, composed by T. Cooke

2. Love's Wrangle, a Madrigal for three Voices, composed by

Sir John Stevenson, Mus. Doc.

107

113

114

115

110

117

3. The Rose and the Lily; Trio, by Sir J. Stevenson, Mus.Doc. 118

XXXIV. New Ballads ...

XXXV. She sung, but afraid of her own sweet Voice, a Song, written

by Daniel Weir, Esq. the Music composed by F.W.Crouch

118

2. The Tear, a Ballad; the Music by J. F. Klose

3. O! touch that Harp, a Cavatina, composed by J. Blewitt.. 119

XXXVI. Journal Hehdemodaire, or Weekly Journal of the latest and

most admired Vocal and Piano Forte Music, by the most

eminent foreign Composers, forming an agreeable assem-

blage of short, pleasing, and not difficult compositions ....

XXXVII. Funeral of the Baron Von Weber

120

121

CONTENTS

OF

No. XXX.

ARTICLE

I. Sketch of the State of Music in London-August, 1826

King's Theatre

III. On the Possibility of Perfect Harmony

IV. On the Music of the Persians

...

V. Notte tremenda, Recit. e Caro suono lusinghier, Romanza, as

sung by the celebrated Signor Velluti, at Verona and Flo-

rence, in the Opera of Tebaldo e Isolina; composed by Sig.

Morlacchi

VI. A Collection of Glees, Trios, Rounds, and Canons, composed

by T. F. Walmisley, Organist of St. Martin in the Fields

2. Glees for Three and Four Voices, composed by J. Jolly, Or-

ganist of St. Philip's Chapel, Regent Street

VII. Mozart's Six Grand Symphonies, newly adapted for the Piano

Forte, with an Accompaniment for the Flute, Violin, and

Violoncello; by Muzio Clementi

2. Beethoven's Grand Symphonies, arranged for the Piano Forte,

with Accompaniments for the Flute, Violin, and Violoncello;

by J. N. Hummel. Nos. 1 & 2

VIII. "When shall we three meet again," an admired Air, composed

by Mr. Horsley, arranged as a Rondo, with an introductory

Prelude, by F. Ries

PAGE

131

131.

139

140

141

141

147

148

157

166

175

176

178

185

186

190

199

208

213

2. "The Streamlet," an admired Air, composed by Mr. Shield,

arranged with Variations for the Piano Forte, by F. Ries.. 235

IX. Introduction and Rondo for the Piano Forte; the subject from

Dr. Arnold's Air, "When the hollow drum," composed by

Thomas Adams

2. Introduction and brilliant Rondo, composed for the Piano

Forte, by E. Solis

3. The Wilderness Sylph, a Divertisement for the Piano Forte,

by P. Antony Corri

236

ARTICLE

X. Third Air, with Variations for the Violin, with Accompani-

ments for an Orchestra or Piano Forte, by C. de Beriot.

New Edition

XI. "L'imagination du moment," Grand Fantasia for the Harp,

on the Romance in Tebaldo ed Isolina, by N. C. Bochsa

2. Sixth Divertimento for the Harp, by T. P. Meyer

XII. Piano Forte Lessons ...

XIII. L'ultimo, a Divertimento for the Piano Forte on Rossini's

Air of Riedi al soglio, by D. Bruguier

2. "Come under my Plaidy," with Introduction and Variations

for the Piano Forte, by J. Powell

3. A Tyrolese Air, with Variations for the Piano Forte, by

H. E. Roshyel

4. The Erl King, by Dr. Callcott, arranged for two performers

on the Piano Forte, by W. H. Callcott

...

5. "You Gentlemen of England," arranged for two performers

on the Piano Forte, by W. H. Callcott

XIV. Buy a Broom, the admired Air sung by Miss Love, at the

Royal Gardens, Vauxhall; the Poetry by J. R. Planché,

Esq. the Music by Henry R. Bishop...

PAGE

237

337

238

239

240

XV. "The Farmer and the Two un fortunate Game Cocks," a

Comic Trio; the Words and Music by Bantam Fowler, Esq.

of Henley

XVI. Grand Sonata à Quatre Mains pour le Piano Forte, dedieē à

Monsieur Onslow, par Fred. Kalkbrenner.

XVII. The Overture and the whole of the Music in Aladdin, or the

Wonderful Lamp, a Fairy Opera, in three acts, composed by

Henry R. Bishop, Composer to the Theatre Royal, Drury

Lane, and Professor of Harmony and Composition at the

Royal Academy of Music..

XVIII. Six Spanish Airs, arranged with an Accompaniment for the

Spanish Guitar, by C. M. Sola

240

241

242

2. Six French Romances, with an Accompaniment for the Spa-

nish Guitar, arranged by D. Bertioli

252

XIX. Awake thou lute and harp, Recitative, Air and Trio. 2. Gra-

cious is the Lord, Recitative and Air. 3. For a thousand

years. All from the Oratorio of Thanksgiving, composed

by Sir John Stevenson

XX. New Airs, &c.

....

XXI. The Overtures, Recitatives, Airs, and Duets, in the serious

Opera of Artaxerxes, composed by Dr. Arne, with an Ac-

companiment for the Piano Forte, arranged from the ori-

ginal scores by J. Addison. In this edition are added the

Quartet "Mild as the moon-beams," composed by Bra-

ham, and the accompanied Recitative and grand Finale

composed by Henry R. Bishop

XXII. Arrangements

XXIII. Musical Festivals

252

253

254

255

257