Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 18.03.2014 - 250 Seiten In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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... production and consumption. In this theater, literature as objet-d'art or as ideological finished product is subordinated to more active, though more ephemeral forms of institution-making carried over into theater from the traditions of ...
... production and consumption. In this theater, literature as objet-d'art or as ideological finished product is subordinated to more active, though more ephemeral forms of institution-making carried over into theater from the traditions of ...
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... production of literary meaning, the use to which it is put by the 'educated nucleus' and the authority of that educated elite are not treated as questionable elements in a specific historical dialectic. On the contrary, there is a ...
... production of literary meaning, the use to which it is put by the 'educated nucleus' and the authority of that educated elite are not treated as questionable elements in a specific historical dialectic. On the contrary, there is a ...
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... produce social wealth, or bring about social order, or cause all suffering and anxiety. The powerful inertia of social production is itself a primary form of opposition to the impositions of power, but the thesis of.
... produce social wealth, or bring about social order, or cause all suffering and anxiety. The powerful inertia of social production is itself a primary form of opposition to the impositions of power, but the thesis of.
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... production in its own right, not merely an epiphenomenon of the 'base'. Unfortunately, the abandonment of 'reflection' in favor of the 'production of ideology' leads to the virtual disappearance of material production in all its mundane ...
... production in its own right, not merely an epiphenomenon of the 'base'. Unfortunately, the abandonment of 'reflection' in favor of the 'production of ideology' leads to the virtual disappearance of material production in all its mundane ...
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Inhalt
The Texts of Carnival | |
Butchers and fishmongers | |
A complete exit from the present order of life | |
Theater and the structure of authority | |
The dialectic of laughter | |
Clowning and devilment | |
Carnivalized literature | |
Treating death as a laughing matter | |
the politics of Carnival | |
Notes | |
Bibliography | |
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Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Eingeschränkte Leseprobe - 2014 |
Häufige Begriffe und Wortgruppen
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective complex concept conflict critical death Devil discourse Doctor Faustus dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan England epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy hospitality ideology individual interpretation king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage Marxism material matter of Britain Midsummer Night’s Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play playhouses plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social structure society speech types strategy Strumbo sustained symbols theater theatrical Theseus Thomas Nashe thou Tillyard traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth Yarmouth