Shakespeare's A Midsummer Night's DreamCharles E. Merrill, 1910 - 139 Seiten |
Im Buch
Ergebnisse 1-5 von 11
Seite 13
... verse lines , 878 ; rhymes , five measures , 731 ; rhymes , short lines , 138 ; songs , 63 ; double endings , 29 ; alternately rhyming lines , 158 ; two measures , 5 ; three measures , 3 . beth . The praise of ' single blessedness ...
... verse lines , 878 ; rhymes , five measures , 731 ; rhymes , short lines , 138 ; songs , 63 ; double endings , 29 ; alternately rhyming lines , 158 ; two measures , 5 ; three measures , 3 . beth . The praise of ' single blessedness ...
Seite 18
... verses have revelled . The whole play expresses humor on a revel , and brings into one human feeling the supernature , the caprice and gross mischance , the serious drift of life . " - WEISS , Wit , Humor , and Shakspeare ...
... verses have revelled . The whole play expresses humor on a revel , and brings into one human feeling the supernature , the caprice and gross mischance , the serious drift of life . " - WEISS , Wit , Humor , and Shakspeare ...
Seite 19
... . Shakespeare's plays are written mainly in what is known as blank verse ; but they contain a number of riming lines , and a con- siderable number of prose lines . As a rule , 19 Shakespeare's Grammar and Versification.
... . Shakespeare's plays are written mainly in what is known as blank verse ; but they contain a number of riming lines , and a con- siderable number of prose lines . As a rule , 19 Shakespeare's Grammar and Versification.
Seite 20
... verse the lines have usually ten syllables , of which the second , fourth , sixth , eighth , and tenth are accented . The line consists , therefore , of five parts , each of which contains an unaccented syllable , followed by an ...
... verse the lines have usually ten syllables , of which the second , fourth , sixth , eighth , and tenth are accented . The line consists , therefore , of five parts , each of which contains an unaccented syllable , followed by an ...
Seite 21
... verse by placing the pauses in different parts of the line ( especially after the second or third foot ) , instead of placing them all at the end of lines , as was the earlier custom . ' In some cases the rhythm requires that what we ...
... verse by placing the pauses in different parts of the line ( especially after the second or third foot ) , instead of placing them all at the end of lines , as was the earlier custom . ' In some cases the rhythm requires that what we ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accented actors Athenian Athens awake Bergomask Bottom called character Cobweb Cupid's Cymbeline dance dear death Demetrius dote doth duke Egeus English Enter PUCK Exeunt Exit eyes fair fairy fear flower folios follow four lovers friends gentle give grace hast thou hate hath hear heart Helena Hermia Hippolyta hounds Knight's Tale lady lines lion look lord Love's lovers Lysander Lysander's married meaning methinks Midsummer-Night's Dream monsieur moon Moonshine Mustardseed never Nick Bottom night Nine Men's Morris o'er oath Oberon passion Peaseblossom Peter Quince PHILOSTRATE play pray prologue Puck Pyramus and Thisby quarto queen Quin Quince's Re-enter rhyme roar Robin Robin Goodfellow SCENE scorn Shakespeare shine sleep Snout Snug speak sport STARVELING sweet syllables tears tell Theseus thing Thisby's thou wak'st thought Tita Titania tongue true unto verb verse vows wall wood word
Beliebte Passagen
Seite 110 - Now the wasted brands do glow, Whilst the screech-owl, screeching loud, Puts the wretch that lies in woe In remembrance of a shroud. Now it is the time of night That the graves, all gaping wide, Every one lets forth his sprite, In the church-way paths to glide: And we fairies, that do run By the triple Hecate's team, From the presence of the sun, Following darkness like a dream, Now are frolic; not a mouse Shall disturb this hallow'd house: I am sent with broom before, To sweep the dust behind the...
Seite 47 - Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
Seite 89 - I was with Hercules and Cadmus once, When in a wood of Crete they bay'd the bear With hounds of Sparta : never did I hear Such gallant chiding ; for, besides the groves, The skies, the fountains, every region near, Seem'd all one mutual cry : I never heard So musical a discord, such sweet thunder.
Seite 36 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind, And therefore is wing'd Cupid painted blind.
Seite 32 - Ah me ! for aught that ever I could read, Could ever hear by tale or history, The course of true love never did run smooth : But, either it was different in blood ;— Her.
Seite 50 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Seite 93 - The eye of man hath not heard, the ear of man hath not seen ; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Seite 32 - War, death, or sickness did lay siege to it; Making it momentany as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Seite 111 - No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend.
Seite 104 - The best in this kind are but shadows; and the worst are no worse, if imagination amend them.