Encyclopedia of Great Popular Song Recordings, Volume 3Rowman & Littlefield, 17 de mai. de 2017 - 830 páginas Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording |
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Resultados 1-5 de 62
Página 58
... Dorsey (trombone), Jimmy Dorsey (alto sax/clarinet), and Adrian Rollini (bass saxophone). The Charleston, the dance that symbolizes the Roaring Twenties more than any other, seems to be of African origin; Leroi Jones believed it came ...
... Dorsey (trombone), Jimmy Dorsey (alto sax/clarinet), and Adrian Rollini (bass saxophone). The Charleston, the dance that symbolizes the Roaring Twenties more than any other, seems to be of African origin; Leroi Jones believed it came ...
Página 64
... Dorsey, Joe Venuti on violin (a third-chorus solo), trombone solos by Bill Rank and Spiegal Wilcox, and “a final, shouting ensemble featuring Bix darting around the melody and Dorsey taking the bridge on clarinet.” Eddie Lang is on ...
... Dorsey, Joe Venuti on violin (a third-chorus solo), trombone solos by Bill Rank and Spiegal Wilcox, and “a final, shouting ensemble featuring Bix darting around the melody and Dorsey taking the bridge on clarinet.” Eddie Lang is on ...
Página 76
... Dorsey (piano), guitarist Tampa Red's presence is not documented but possible. “Looked up to find the gal I was with was gone. ... I just like women, don't like no men. ...” Rainey was arrested on at least one occasion for alleged lewd ...
... Dorsey (piano), guitarist Tampa Red's presence is not documented but possible. “Looked up to find the gal I was with was gone. ... I just like women, don't like no men. ...” Rainey was arrested on at least one occasion for alleged lewd ...
Página 77
... Dorsey (trombone), Jimmy Dorsey (clarinet/alto sax), Arthur Schutt (piano), and Eddie Lang (guitar). “Emmett Miller is one of the most intriguing and profoundly important men in the history of country music,” declared Nick Tosches in ...
... Dorsey (trombone), Jimmy Dorsey (clarinet/alto sax), Arthur Schutt (piano), and Eddie Lang (guitar). “Emmett Miller is one of the most intriguing and profoundly important men in the history of country music,” declared Nick Tosches in ...
Página 82
... Dorsey was one of the biggest-selling and most influential acts in blues from 1928 to 1932, and their reputation was guaranteed by one supremely silly song, Its Tight Like That. After two unsuccessful attempts on the duo's first two ...
... Dorsey was one of the biggest-selling and most influential acts in blues from 1928 to 1932, and their reputation was guaranteed by one supremely silly song, Its Tight Like That. After two unsuccessful attempts on the duo's first two ...
Conteúdo
41 | |
95 | |
153 | |
Playlist 5 19501959 | 223 |
Playlist 6 19601964 | 321 |
Playlist 7 19651969 | 379 |
Playlist 8 19701979 | 451 |
Playlist 9 19801989 | 545 |
Playlist 10 19901999 | 601 |
Playlist 11 20002009 | 645 |
Playlist 12 20102016 | 681 |
Bibliography | 721 |
Title Index | 735 |
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Termos e frases comuns
album Alec Wilder Armstrong arrangement artist August ballad band band’s bass Beatles became began Benny Goodman Billboard Billy biographer Blues born Brothers career Cash Box Charles chart debut chorus classic Columbia composer Country Music dance Dave Marsh Davis debut on July Decca December Dorsey drums early Ellington featured film Friedwald gospel guitar guitarist Gunther Schuller Heart of Rock inspired James January jazz Jimmy John Johnny June King label later Louis Armstrong Love March melody Miles Davis Motown musicians notes November October Orchestra original Orleans Paul performance pianist piano piece played pop chart Pop Memories debut Quartet R&B chart radio ragtime reached record released remarks rhythm Rolling Stone score September session Sinatra singer singing single smash solo song’s songwriter Soul sound star studio Swing theme There’s Tommy Dorsey trumpet tune Victor vocal voice weeks Williams writes written