Say It Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like Henry V, and Other Secrets from the World’s Greatest CommunicatorMcGraw Hill Professional, 4 de mai. de 2001 - 313 páginas Book Info A guide to better communication skills using the trademark persuasion style of famous playright, William Shakespeare. Takes examples from Shakespeare's characters and plays to illustrate the qualities and skills an excellent communicator must have, helping readers empower themselves to be more effective in front of an audience, as part of a team, or one-on-one. |
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Página iii
... Positive Factor 97 9. Get into a Winning State of Mind 107 Part III : The Receiver and Feedback Roles 117 10. Bestow the Sense of ... Hey There , Are You Listening ? 119 11. Receiver Meets Sender in Q & A 135 12. iii.
... Positive Factor 97 9. Get into a Winning State of Mind 107 Part III : The Receiver and Feedback Roles 117 10. Bestow the Sense of ... Hey There , Are You Listening ? 119 11. Receiver Meets Sender in Q & A 135 12. iii.
Página 18
... positive as well as negative attributes to head off a finger - pointing , sniping process . If you are a supervisor , take a look at 360 ° feedback and upward evaluation , concepts widely used today . Done right , these provide feedback ...
... positive as well as negative attributes to head off a finger - pointing , sniping process . If you are a supervisor , take a look at 360 ° feedback and upward evaluation , concepts widely used today . Done right , these provide feedback ...
Página 33
... positive change is commitment to review and action . * Blow that trumpet , and keep applying the lessons learned . * Be ready to reap the rewards that come with better communication . Part II The Sender's Role 功 Over the next five 33 ...
... positive change is commitment to review and action . * Blow that trumpet , and keep applying the lessons learned . * Be ready to reap the rewards that come with better communication . Part II The Sender's Role 功 Over the next five 33 ...
Conteúdo
XVIII | 165 |
XIX | 175 |
XX | 189 |
XXI | 207 |
XXII | 209 |
XXIII | 223 |
XXIV | 239 |
XXV | 241 |
X | 97 |
XI | 107 |
XII | 117 |
XIII | 119 |
XIV | 135 |
XV | 145 |
XVI | 151 |
XVII | 153 |
XXVI | 253 |
XXVII | 263 |
XXVIII | 271 |
XXIX | 277 |
XXX | 287 |
XXXI | 289 |
Outras edições - Ver todos
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Prévia não disponível - 2001 |
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Prévia não disponível - 2003 |
Termos e frases comuns
achieve action Antony and Cleopatra apply asked attention audience Bard's better body language boss Brutus Chapter coach colleagues communication skills Coriolanus dialogue effective employees example eyes Falstaff feedback give Hamlet head hear Henry Henry IV Henry VI Here's Julius Caesar keep King Lear leader listening look Love's Labour's Lost Macbeth Marlin Fitzwater meeting Merchant of Venice munication nonverbal options Othello perhaps person poor positive preparation presentation President presidential problem props question recall receiver response Richard Richard III role San Diego San Diego Union-Tribune seminar sender session Shakespeare showed smile someone sound speak speaker speech story style success supervisor Take-Away Ideas tale talk tell thee things thou topic Troilus and Cressida visuals voice What's words
Passagens mais conhecidas
Página 104 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Página 59 - Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun And descant on mine own deformity ; And therefore, since I cannot prove a lover To entertain these fair, well-spoken days, I am determined to prove a villain And hate the idle pleasure of these days.
Página 94 - Your face, my thane, is as a book, where men May read strange matters : — to beguile the time, Look like the time ; bear welcome in your eye, Your hand, your tongue : look like the innocent flower, But be the serpent under it.
Página 24 - Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter ; that, when he speaks, The air, a charter'd libertine, is still, And the mute wonder lurketh in men's ears, To steal his sweet and honey'd sentences...
Página 279 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Página 147 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Página 38 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
Página 199 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.