Reusner, 394; Junius and Whitney, 395; Shakespeare, 396. Note in Knight, 396. Pembroke, earl of, dedication to, 1668, p.
Pericles, accepted as of Shakespeare's au- thorship, 156, 157, 158; the triumph- scene, 158; First knight, Lux tua vita mihi, 160-162; Second knight, Pu por dulzura que por fuerza, 162–167; Third knight, Me pompa provexit apex, 168-170; Fourth knight, Quod me alit, me extinguit, 170-175; Fifth knight, Sic spectanda fides, 175-181; Sixth knight, In hac spe vivo, 181–186. Personification, especially in mythology, 258. Perth, earl of, Emblems in a letter to, 124, note.
Phaeton, Ovid, 284; Alciat, 285; Sy-
meoni, 284; Shakespeare, 286, 287. Philip, duke of Burgundy, 1429, Golden fleece, 228.
Phoenix, emblem for long life; for return- ing to friends; restoration after long ages, 23; Oneliness or loneliness, 235, 236; Accounts of, 22, 23, 234-236; Phoenix' nest, 380; Emblem of loneliness, Paradin, Giovio, 234, 235; Shakespeare, 236; Emblem of duration, Horapollo, 23; Emblem of new birth, and resur- rection, Freitag, 381; Mary of Lorraine, 123; Emblem of oneliness, Paradin and Reusner, 385; Whitney, 387; Shake- speare, 388-390; Emblem of life eternal, 386.
Phoenix with two hearts, Hawkins, 383;
the Virgin mother and her son, entire one- ness of affection, 384; Shakespeare, 384. Phryxus, or Phrixus, 229. See Golden Fleece.
Picture writing, 18, 30.
Picture and short poesie, marks of the Emblem, 31.
Pilgrim travelling, Cullum's Hawsted, 128. Pine-trees in a storm, Horace, Sambucus,
475; Whitney, 476; Shakespeare, 477. Plate, of emblematical character, 20. Pleasant vices, their punishment, 425. Poetic ideas, emblems for, 377-410; Shakespeare's splendid symbolical ima- gery, 377; Glory of poets, 379, 380; The
phoenix, 381-383; Phoenix with two hearts, 384; The bird always alone, 384 -390; Kingfisher, 391-393; Pelican, 393-398; Wounded stag, 397-400; Golden, the epithet, 400; Death and Love, 404, 405; Cupid in mid-air, 404; Human life a theatre, 405, 406; Seven
ages of life, 407–410.
Poet's badge, Alciat, 218; Whitney, 217; Shakespeare, 219.
Poet's glory, 379; Le Bey de Batilly, 380; Shakespeare, 380.
Politics in emblems, Il Principe, 34. Porcupine, Drummond, 124; Giovio, 231; Camerarius, Shakespeare, 232. Portcullis, emblem used by Henry VIII.,
Powers granted for noble purposes, Whit- ney, Shakespeare, 412.
Printing with blocks, 45-49; with move- able types, 50.
Progne or Procne, Aneau, Shakespeare, 193.
Prometheus bound, Alciat, 266; Aneau,
267; Microcosme, 267; Reusner, Whit- ney, 268; Shakespeare, 268, 269. Proverbs, Emblems in connection with, 318-345-Proverbs suggestive of nar- rative or picture, 318; La fin couronne les œuvres, 320-322; Manie droppes pierce the stone, &c., 324; To clip the anvil of my sword, 325-327; Jove laughs at lovers' perjuries, 328, 329; Labour in vain, 329-332; Every rose its thorn, 332-334; True as the needle to the pole, 334-337; Out of greatest least, 337- 339; A snake in the grass, 340, 341; Who against us? 342, 343; Hoist with his own petar, 343, 344.
Providence, and girdle, 413 (see Drake's ship); Making poor and enriching, Plate XVI., 489.
Pyramid and ivy, Drummond, 124.
1. Quadrins historiques de la Bible, 1553- 1583, twenty-two editions in various lan- guages, 73.
Quadrins historiques du Genèse, 1553, p. 73. Quadrins historiques de l'Exode, 1553, p. 73.
2. Quæ ante pedes? 411; Quæ sequimur fugimus, nosque fugiunt, 466; Quæ supra nos, nihil ad nos, 260; Quel che nutre, estingue, 175; Que mas puede la elo- quencia que la fortaliza, 164; Quem nulla pericula terrent, 347; Quibus rebus con- fidimus, iis maxime evertimus, 344; Quid nisi victis dolor, 124; Qui me alit, me extinguit, 171–173; Quis contra nos? 126, 342; Quod in te est, prome, 395; Quod me alit, me extinguit, 170, 174; Quod nutrit extinguit, 174; Quod sis esse velis, 312; Quo modo vitam? 456; Quo pacto mortem seu hominis exitum? 454; Quo tendis? 128.
3. Quarles, definition of Emblem, 1. Quinctilian, use of the word Emblem, 5.
4. Qui or quod, variations in the reading, 174.
R, O. L., Nef des folz, xlix., Paris, 1499, p. 411; O. L., of uncertain origin, p. 531.
1. Rabelais, Les songes drolatiques de Pan- tagruel, 1565, p. 86.
Rastall, Dialogue of creatures, 1520, p. 51. Regiomontanus, or Muller, 1476, p. 42. Regiselmus. See Joachim.
Reusner, Emblemata, 1581, Aureolorum Emblem., 1591, pp. 88, 89, 251. Rime de gli academici occulti, 1568, p. 86. Rinaldi, Il mostruosissimo, 1588, p. 87. Ripa, Iconologia, &c., 1603, 1613, p. 92. Riviere, Nef des folz du monde, before 1500, p. 57.
Rollenhagen, Les emblemes, 1611, p. 95; Nucleus Emblematum, 1613, p. 97. Ruscelli, Discorso, 1556, p. 77; Imprese illustri, 1566, p. 78.
Rüxner, Turnier-buch, 1530, p. 68.
2. Rabie succensa, 356; Remember still thy
ende, 320; Renovata juventus, 369; Res humanæ in summo declinant, 435; Re- spice et prospice, 139; Rompe ch' il percote, 125; Rore madet vellus, Permansit arida tellus, 47; Rota vite que septima notatur, 407.
3. Rapin, History of England, 1724, p.
Real museo Borbonico, 1824, p. 19. Reusner, quoted:-Circe, 251; Hares and dead lion, 306; Man a god to man, 283; Orpheus and harp, 272; Pegasus, 143; Pelican and young, 394; Phoenix, 385; Prometheus, 268; Serpent and countryman, 197; Sirens, 252; Swan, 215, 216; Unicorn, 371. Roscoe, Leo X., 303.
4. Recapitulation and conclusions, 492— 495. References and coincidences not purely accidental, 494.
References to passages from Shakespeare, in the order of the plays and poems, and to the corresponding devices and subjects of the Emblems, Appendix iii., 531-542. Rhetoric, chambers of, their pursuits and amusements, 81, 82; Extent and nature,
Rich and poor, Plate XVI., 489. Rock in waves, Drummond, 125, note. Romano, Julio, works known to Shake- speare, 110; Where there are now works of his, 110, III.
Romano, Capitano Girolamo Mattei, 233- Rose and thorn, Whitney, Perriere, 333; Vænius, 333; Shakespeare, 334- Rubens, desciple of Vænius, 96. Rudolph II., 85, 89, 96.
Ruins and writings, Whitney and Costalius, 444; Shakespeare, 444, 445, Boissard, 449.
S, O. L., Giovio's Sent. Imp. 3, Lyons, 1562, pp. 156, 515; O. L., Sambucus (Emb. 232), Antverp., 1564, p. 302.
1. Sadeler, Symbola divina et humana, 1600, 1601, p. 95; Theatrum morum, 1608, pp. 95, 96, 97. Sambigucius, Interpretatio, 1556, p. 77. Sambucus, Emblemata, 1564, and Em- blêmes de Jehan Sambucus, 1567, p. 85; Notes by Don John of Austria, 1572, p. 86.
Sanctius, or Sanchez, on Alciat, 1573, pp. 71, 88.
Sassus, referred to by Menestrier, 79. Sceve, Delie, 1544, p. 75. Schopperus, Пavoπλía, 1568, and De omni- bus illiberalibus sive mechanicis artibus, 1574, p. 88.
Schrot, Wappenbuch, 1581, p. 90. Scribonius, 1550. See Graphæus. Sevus, referred to by Menestrier, 79. Shyp of fooles. See Watson and Barclay. Sicile, Le blason de toutes armes, and Le blason des couleurs, 1495, p. 58. Simulachres & historiees faces de la mort, 1538, p. 71; Fifteen editions, 72, 471. Soto.
Stam und wapenbuch, 1579, p. 31. Stimmer, Neue kunstliche figuren Biblischen, 1576, p. 90.
Stockhamer, commentariola to Alciat, 1556, p. 70.
Stultifera navis, previous to 1500, Locher, Riviere, Plate IX., 57; Other versions, 57; Badius, 61.
Symeoni, Vita et Met. d'Ovid., 1559, PP. 3, 35, 79; Devises ou emblemes heroiques et morales, 1561, pp. 15, 16; Imprese, 1574, p. 17; Imprese heroiche et morale, 1562, p. 78; Sententiose imprese, 1562, p. 78.
2. Sa virtu m'attire, 123; Scelesti hominis
imago & exitus, 53; Scribit in marmore lasus, 457, 458; Scripta manent, 443; Servati gratia avis, 224; Sibi canit et orbi, 217; Sic majora cedunt, 366; Sic spectanda fides, 159, 175, 178; Si Deus nobiscum, quis contra nos? 342; Si for- tuna me tormenta, il sperare me con- tenta, 137, 138; Si fortune me tourmente, l'esperance me contente, 138; Silentium, 208; Sine justitia confusio, 449, 450; Sola facta, solum Deum sequor, 234; Sol animi virtus, 161; Sola vivit in illo, 126; Speravi et perii, 130; Spes altera vita, 183, 184; Spes aulica, 182; Spes certa, 182; Spiritus durissima coquit, 233; Stultitia sua seipsum saginari, 310; Stultorum infinitus est, 66; Superbia, 292; Superbiæ vltio, 293.
3. Sadeler, Zodiacus christianus, 1618, P. 353. Sambucus, quoted:-Actæon, 277; Astro- nomer, 335; Ban-dog, 482; Child and motley fool, 484; Elephant, 196; Fore- head, 129; Hen eating her own eggs, 411; Laurel, 422; Mercury and lute, 256; Pine-trees in a storm, 475; Ship on the waves, 435; Time flying, 466; Timon, 427; World, map of, 351. Schiller, Werke, 199.
Schlegel, on Pericles, 157. Shakespeare quoted, by way of allusion, or of reference to:-Æsop's Fables, 303; Acteon, 276, 279; Adam hiding, 416; Adamant, 348; Æneas and Anchises, 191; Ape and miser's gold, 488; Apollo and the Christian muse, 379; Argonauts and Jason, 230; Arion, 283; Astrono- mer and magnet, 356; Atlas, 245, Bacchus, 249; Ban-dog, 484; Bear and ragged staff, 237-240; Bear and cub, 349, 350; Bees, 361-365; Bellero- phon and chimæra, 300; Brutus, 201— 205; Butterfly and candle, 153; Cad- mus, 245; Cannon bursting, 345; Casket scenes, 149-154, 186; Cassius and Cæsar, 193; Chaos, 451-453; Child and motley fool, 485; Chivalry, wreath of, 168; Circe, 252; Cliffords, 192; Clip the anvil of my sword, 327;
Commonwealth of Bees, 362 - 365; Conscience, power of, 421; Coriolanus, 201; and his civic crowns, 226; Coro- nation scene, 9; Countryman and ser- pent, 197; Cupid blinded, 331; Cupid in mid-air, 404; Daphne, 297; Death, 469; Dog baying the moon, 269; Dogs not praised, 145, 483; D. O. M., 464, 465; Drake's ship, 415; Drinking bout of Antony and his friends, 246; Drops pierce the stone, 324; Dust, to write in, 461; Eagle renewing its youth, 369; Elizabeth, queen, 404; Elm and vine, 309; Emblem defined, 9; Emblems without device, 149-151; End crowns all, 320, 323; Engineer hoist, 345; Envy, 433; Estridge, 371; Eternity, 491, 492; Falconry, 367, 368; Fame armed with a pen, 445, 446; Fin couronne les œuvres, 320-323; Fortune, 262; Fox and grapes, 311; Frosty Caucasus, 346; Gem in a ring, 419; Golden, 400, 404; Gold on the touch- stone, 175, 180; Golden Fleece, 227; Good out of evil, 447; Greatest out of least, 337-339; Hands of Providence, 489, 490; Happe some goulden honie bringes, 365; Hares and dead lion, 304; Hen eating her own eggs, 412; Heraldry, 222, 223; Homo homini lupus, 280, 283; Homo homini Deus, 283, 284; Hydra, 375; Icarus, 291; Inver- ted torch, 170; Jackdaw in fine feathers, 313; Janus, two-headed, 140; Jupiter and Io, 246; Jove laughs at lovers' perjuries, 328; King-fisher, 392; Labour in vain, 331, 332; Lamp burning, 456; Laurel, 422-425; Lottery, 209-211; Love's transforming power, 349; Man with a fardel or burden, 481; Man's greatness, 284; Map of the world, 351, 352; Medeia, 192; Mercury, 257, 258; Michael, order of St., 227; Milo, 297; Narcissus, 296; Niobe, 293, 294; Oak and reed, 315, 316; Occasion, or oppor- tunity, 260, 264, 265; Old Time, 473; Orpheus, 273, 274; Ostrich, 234, 371; Pegasus, 299, 300; Pelican, 394-397; Pen, its eternal glory, 447; Pericles,- the triumph scene, 158, 160 - 186;
Phaeton, 286, 287; Phœnix, 236, 381— 390; Pine-trees, 477; Poet's badge, 218, 219; Poet's glory, 379, 380; Porcupine, 232; Powers granted for noble purposes, 412; Progne, 194; Prometheus bound, 268; Romano, Julio, 110; Ruins and writings, 443-445; Rose and thorn, 333, 334; Serpent in the breast, 198; Seven ages of man, 407-410; Shadows fled and pursued, 468; Ship in storm and calm, 435-440; Sirens, 254; Skull, human, 337-339; Snake in the grass, 341; Snake on the finger, 343; Stag wounded, 397-400; Student entangled in love, 441; Sun and wind, 160; The setting sun, 323; The swan, 219; Sword on an anvil, 327; Sword with a motto, 138; Testing of gold, 175, 180, 181; Theatre of life, 405, 406; Things at our feet, 411, 412; Thread of life, 454; Time leading the seasons, 491; Timon, 427-431; Tur- key and cock, 357, 358; Unicorn, 371, 372; Vine and olive, 249; Whitney's dedication lines, 464; Wreath of chiv- alry, 168; Wreaths, 222; Wreath of oak, 225; Wrongs on marble, 457- 462; Zodiac, signs of, 353. Shakespeare, acquainted with languages, 106, 107, 168; with the works of Julio Romano, 110; and of Titian, 115; with Emblems, 137, 158, 186.—Attain- ments, 106-116; sufficient for cultiva- ting Emblem literature, 107, 108.— Dramatic cereer, 1590—1615, pp. 91,92; An Emblem writer, 148, 154, 493; Genius, 105; Judgment in works of art,— sculpture, 109, 110; ornament, III; painting, 112-115; melody and song, 115, 116.—Knowledge of ancient history and customs, 105, 106, 225, 226; Marks of reading and thought, 242; Tendency to depreciate his attainments, 105; Use of term Symbol, 2; Device, 8; Emblem, 9. Shepheards calender, Spenser, 134-137, 185.
Siegenbeek, Geschiedenis der Nederlandsche letterkunde, 82.
Smith, Dictionary of Greek and Roman Antiquities, 10.
Sotheby, Principia typographica, 1858,
Spenser, ideas of devices, 8; Early sonnets, 88; Visions, 134; Shepheards calender, 134, 136, 185; Ban-dogs, 481. Stamm Buch, 1619, Adam hiding, 416. Statius, badges, 47.
Suetonius, Tiber. Cæsaris vita, 5. Symbola divina et humana, 1652, p. 176. Symeoni, quoted:-Ape and miser's gold, 486; Butterfly and candle, 153; Chaos, 448; Creation and confusion, 35; Diana, 3; Dolphin and anchor, 16; Forehead shows the man, 129; Inverted torch, 171; Phaeton, 284; Serpent's teeth, 245; Wounded stag, 398; Wrongs on marble, 457.
Syntagma de symbolis, 2.
4. Saint Germain, fair at, imprese, 124,
Salamander, impresa of Francis I., 123, 125. Satan, fall of, Boissard, 1596, Plate XI., 132, 133.
Satire in Emblems, 33.
Saviour's adoption of a human soul, Vænius, Plate II., 32.
Savoy, duke of, his impresa, 124; Madame Bona of, her device, 235. Sepulchre and cross, Diana of Poitiers, 183. Serpent and countryman, Freitag, Reusner,
197; Serpent in the bosom, Shakespeare, 198.
Seven ages of man, Arundel MS., 406; Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, 407; Block-print described, Plate XV., 407, 408; Shake- speare, 409, 410.
Shadow, fled and pursued, Whitney, 467; Shakespeare, 468.
Shield untrustworthy. See Brasidas. Shields of Achilles, Hercules, Æneas, &c.,
Ship, with mast overboard, Drummond, 124; Ship on the sea, Drummond, 125; Ship tossed by the waves, Sambucus, Whitney, 435; Ship sailing forward, Whitney, Alciat, 436; Boissard, 437; Shakespeare, 438-440.
Sieve held by Cupid, 340. See Cupid.
Silent academy at Hamadan, 17. Silversmiths, their craft and emblems, 20. Similitudes and identities in literature, 302. Sinon, 194-200; Virgil, 194; Whitney, 195, 196, 199; Shakespeare, 200. Sirens, Alciat, 253; Whitney, 254; Shakespeare, 254.
Six direct references to Emblems in the Pericles of Shakespeare, 156-186. Skiff of foolish tasting, Badius, 1502, p. 61. Skull, human, Aneau, Whitney, 337; Shakespeare, 338, 339.
Snake in the grass, Paradin, Whitney, 340; Shakespeare, 341.
Snake on the finger, Paradin, 342; Whitney, Shakespeare, 343.
Soul, its hieroglyphic sign, 25, 26. Spanish motto, 162, 164, 167. Speculum humanæ salvationis, Plates IV. and V., 44.
Stag wounded, Giovio and Symeoni, 398; Paradin, Camerarius, Virgil, Ovid, Vænius, 399; Shakespeare, 399, 400. Stage, the world a, 409. See Seven ages. Star, its hieroglyphic meaning, 25. Statuary and architecture excluded, II. Stirling-Maxwell, Bart., of Keir, De Bry's Stam und wapenbuch, 1593, p. 32; MIKPOKOMMOΣ, by Costerius, 98. See also Keir.
Stork, emblem of filial piety, &c., 28; Epiphanius and Alciat, 28.
Student in love, Alciat, Whitney, 441; Shakespeare, 442.
Subjects of the Emblem Imprese, &c., 515 -530.
Sun and moon, in dialogue, 52. Sun of York, 223; Sun in eclipse, 124; Sun setting, Whitney, 323; Sun, wind, and traveller, Corrozet, 165; Freitag, Shakespeare, 166.
Swan singing at death, Eschylus, Hora- pollo, 213; Virgil, Horace, 214; Old age eloquent, Aneau, 215; Pure truth, Reusner, 216; Camerarius, 217; Insignia of Poets, Alciat, Whitney, 218; Shake- speare, 219, 220.
Sword with motto, 138.
Sword on anvil, Perriere, 326; Whitney, 327; Shakespeare, 325, 327.
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