Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 Seiten Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Seite xxxvi
... fall on the emperor's ears as " discord " . Not all of the Romans are eloquent by words , however ; this is a play that richly takes up the original's invitation to read the meaning of what is shown . As they abandon the mutilated ...
... fall on the emperor's ears as " discord " . Not all of the Romans are eloquent by words , however ; this is a play that richly takes up the original's invitation to read the meaning of what is shown . As they abandon the mutilated ...
Seite lii
... fall of Henry VI in The Misery of Civil War ) . Tate is being disingenuous , however . He says that " To form any Resemblance between the Times here written of , and the Present , had been unpardonable Presumption in me " , and yet , if ...
... fall of Henry VI in The Misery of Civil War ) . Tate is being disingenuous , however . He says that " To form any Resemblance between the Times here written of , and the Present , had been unpardonable Presumption in me " , and yet , if ...
Seite lxiii
... Next sight I'll show you shall be Gloster's fall " , Suffolk promises in reply ( II.iii.293 ) . At the end of III.ii she paints the full scene for him in gleeful anticipation : Elianor lighting her shame INTRODUCTION lxiii.
... Next sight I'll show you shall be Gloster's fall " , Suffolk promises in reply ( II.iii.293 ) . At the end of III.ii she paints the full scene for him in gleeful anticipation : Elianor lighting her shame INTRODUCTION lxiii.
Seite lxix
... falls in Durfey's writing career is a moot point . If one were to accept the words of the epilogue ( which was not in fact composed for this play ; see notes , below ) that the play had been composed much earlier , in about 1673 , it ...
... falls in Durfey's writing career is a moot point . If one were to accept the words of the epilogue ( which was not in fact composed for this play ; see notes , below ) that the play had been composed much earlier , in about 1673 , it ...
Seite lxxiv
... fall naturally into the grandiose heroic register when deeply moved . Thus , standing back from his error and viewing himself in the third person , Ursaces reflects on the punishment he deserves : " dam him , dam him ; / Bathe him in ...
... fall naturally into the grandiose heroic register when deeply moved . Thus , standing back from his error and viewing himself in the third person , Ursaces reflects on the punishment he deserves : " dam him , dam him ; / Bathe him in ...
Inhalt
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
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Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Keine Leseprobe verfügbar - 2005 |
Häufige Begriffe und Wortgruppen
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Beliebte Passagen
Seite 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Seite 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Seite 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Seite 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Seite 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Seite 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Seite 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...