Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 páginas Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Página xxxii
... friends , with a new short passage ( 11.100-107 ) to illustrate the pathos of her emotional dilemma . Act 1 material from Shakespeare is also carried over to begin Ravenscroft's new act II , containing the killing of Mutius ...
... friends , with a new short passage ( 11.100-107 ) to illustrate the pathos of her emotional dilemma . Act 1 material from Shakespeare is also carried over to begin Ravenscroft's new act II , containing the killing of Mutius ...
Página lxx
... friends , and profitably to himself ” , while nevertheless promulgating " more dramatic nonsense of his own , and [ contriving ] to shape into nonsense more of the wit of other men , than almost any writer or imitator that ever lived ...
... friends , and profitably to himself ” , while nevertheless promulgating " more dramatic nonsense of his own , and [ contriving ] to shape into nonsense more of the wit of other men , than almost any writer or imitator that ever lived ...
Página lxxi
... Friend ! Who would be good or vertuous if this be the reward ! Can it be true ? -What banish'd ! " . It is a " killing Sound ! " responds Eugenia , referring to " banish'd " rather than Pisanio's speech more generally , and establishing ...
... Friend ! Who would be good or vertuous if this be the reward ! Can it be true ? -What banish'd ! " . It is a " killing Sound ! " responds Eugenia , referring to " banish'd " rather than Pisanio's speech more generally , and establishing ...
Página lxxii
... friend , greatest pang , immortal powers , true passion , warm bubbling springs , rosy fields . It is the gulf between the two which is partly responsible for the sense of an emotional vacuum - inevitable at the beginning of a play ...
... friend , greatest pang , immortal powers , true passion , warm bubbling springs , rosy fields . It is the gulf between the two which is partly responsible for the sense of an emotional vacuum - inevitable at the beginning of a play ...
Página lxxviii
... Friend , I'le stop at none , / But on their bloudy Ruines build [ his ] Throne " . Durfey has retained from Shakespeare the exchange of love tokens and the pathos of the lovers ' partings in this first scene , but the moral anarchy of ...
... Friend , I'le stop at none , / But on their bloudy Ruines build [ his ] Throne " . Durfey has retained from Shakespeare the exchange of love tokens and the pathos of the lovers ' partings in this first scene , but the moral anarchy of ...
Conteúdo
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
Outras edições - Ver todos
Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Prévia não disponível - 2005 |
Termos e frases comuns
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Passagens mais conhecidas
Página 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Página 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Página 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Página 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Página 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Página 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Página 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...