Emerson's Ghosts: Literature, Politics, and the Making of AmericanistsOxford University Press, USA, 7 de set. de 2007 - 194 páginas It is increasingly commonplace to find scholars who circle back to Ralph Waldo Emerson and his intellectual heirs as a way of better understanding contemporary social and aesthetic contexts. Why does Emerson's cultural legacy continue to influence writers so forcefully? In this innovative study, Randall Fuller examines the way pivotal twentieth-century critics have understood and deployed Emerson as part of their own larger projects aimed at reconceiving America. He examines previously unpublished material and original research on Van Wyck Brooks, Perry Miller, F.O. Matthiessen, and Sacvan Bercovitch along with other supporting thinkers. An engaging institutional history of American literary studies in the twentieth century, Emerson's Ghosts reveals the unexpected convergent forces that have shaped American cultural history in lasting ways. |
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Página 29
... described , more easily felt than reflected on . ” Yet it was the very perception of Emerson's indefiniteness — both the eventless quality of his life and the uncategorizable nature of his writings that enabled him to be made and remade ...
... described , more easily felt than reflected on . ” Yet it was the very perception of Emerson's indefiniteness — both the eventless quality of his life and the uncategorizable nature of his writings that enabled him to be made and remade ...
Página 37
... described by Holmes , Conway's Emerson stands as a visionary precursor to a new kind of art founded on the radical similarity of all things and most closely aligned to America's insurgent literary real- ists : “ The globule of blood and ...
... described by Holmes , Conway's Emerson stands as a visionary precursor to a new kind of art founded on the radical similarity of all things and most closely aligned to America's insurgent literary real- ists : “ The globule of blood and ...
Página 111
... described the conflict not as a heroic adventure but rather as “ a phantasmagoria of fighting ... and drinking . ” Admitting that “ behind the Quai Dorsay I managed to shoot and kill ... one German , ” he concludes with an unchar ...
... described the conflict not as a heroic adventure but rather as “ a phantasmagoria of fighting ... and drinking . ” Admitting that “ behind the Quai Dorsay I managed to shoot and kill ... one German , ” he concludes with an unchar ...
Conteúdo
The Haunting of American Literature | 3 |
Emerson in the Gilded Age | 27 |
How to Dismantle American Culture | 49 |
Direitos autorais | |
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Emerson's Ghosts: Literature, Politics, and the Making of Americanists Randall Fuller Visualização parcial - 2007 |
Emerson's Ghosts: Literature, Politics, and the Making of Americanists Randall Fuller Visualização parcial - 2007 |
Termos e frases comuns
academic action aesthetic Ameri American culture American Jeremiad American Literary History American Literature American Renaissance American Studies Americanists analysis artist asserts biography Brooks's Cabot Cambridge canon Cavell century Chapman Cheney context Conway Conway's critique cultural criticism democracy democratic described discourse discussion dissent early effort Emer emerging Emerson's American Scholar Emerson's thought Emerson's writing Emersonian essay experience F. O. Matthiessen figure genteel Harvard haunt Holmes ideal ideology imaginative increasingly individual interpretation Jacksonian James Jeremiad Joel Porte John Jay Chapman journals language Lawrence Buell Leo Marx Lewis Mumford Mumford notes Oliver Wendell Holmes Parrington Perry Miller philosophical poet political portrait of Emerson problems public intellectual Puritan radical Ralph Waldo Emerson readers reading response rhetoric role Sacvan Bercovitch seemed sense social society spirit suggests symbolic theory tion tradition tragic transcendentalism transformation troping University Press Van Wyck Brooks vision Whitman words Wyck Brooks York