The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 26
... true . Truth , as mentioned earlier , is the coincidence of the thought with the object . In the 20th century world events have often been so overwhelming that it has been difficult for artists to be able to step back from these actual ...
... true . Truth , as mentioned earlier , is the coincidence of the thought with the object . In the 20th century world events have often been so overwhelming that it has been difficult for artists to be able to step back from these actual ...
Seite 68
... true , but he does not know it to be true . No inner conflict in all Christendom is more eloquently enacted than that of Prince Hamlet : Bloody , bawdy villain ! Remorseless . treacherous , lecherous , kindless villain ! O. ven- geance ...
... true , but he does not know it to be true . No inner conflict in all Christendom is more eloquently enacted than that of Prince Hamlet : Bloody , bawdy villain ! Remorseless . treacherous , lecherous , kindless villain ! O. ven- geance ...
Seite 69
... true for all time , from Antigone to the present : To thine own self be true , And it must follow , as the night the day , Thou canst not then be false to any man . What he is insisting on is a fidelity of correspondence between a ...
... true for all time , from Antigone to the present : To thine own self be true , And it must follow , as the night the day , Thou canst not then be false to any man . What he is insisting on is a fidelity of correspondence between a ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole