The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 31
... thing of value now in jeopardy is not lost but instead the civilization is ennobled and preserved . XVIII . Character - its ethical nature Hence the incidents and the plot are the end of tragedy ; and the end is the chief thing of all ...
... thing of value now in jeopardy is not lost but instead the civilization is ennobled and preserved . XVIII . Character - its ethical nature Hence the incidents and the plot are the end of tragedy ; and the end is the chief thing of all ...
Seite 34
... thing in the construction of tragedy , a contemporary dramatist cannot ignore the scattered and generally uncohesive ... things , the tragedy lives . Production closes the circle of the work of art that embodies the mimetic strength of a ...
... thing in the construction of tragedy , a contemporary dramatist cannot ignore the scattered and generally uncohesive ... things , the tragedy lives . Production closes the circle of the work of art that embodies the mimetic strength of a ...
Seite 141
... thing he can , his own integrity . Because of this , he places himself in the mold of martyr cherished in the Christian religious tradition but inadequate for Shakespeare , the great exploiter of every dimension available to the human ...
... thing he can , his own integrity . Because of this , he places himself in the mold of martyr cherished in the Christian religious tradition but inadequate for Shakespeare , the great exploiter of every dimension available to the human ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole