The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 98
... reveals this relationship between the mortal and the creating nature of the universe . There is a certain arrogance in the western mortal that reads into taming nature , dominance over it . Lear partially exemplifies it : I tax not you ...
... reveals this relationship between the mortal and the creating nature of the universe . There is a certain arrogance in the western mortal that reads into taming nature , dominance over it . Lear partially exemplifies it : I tax not you ...
Seite 120
... reveal their character by way of action . King Lear , for instance , has a very active inner personal life and he reveals it by way of such a choice in any dimension as can have faithful correspondence through all other dimen- sions to ...
... reveal their character by way of action . King Lear , for instance , has a very active inner personal life and he reveals it by way of such a choice in any dimension as can have faithful correspondence through all other dimen- sions to ...
Seite 157
... reveal what Shakespeare reveals , that no human will can successfully oppose the driving force of the universe , or does the dramatist structure the play in the belief that one human being can victimize another ? In the general , if not ...
... reveal what Shakespeare reveals , that no human will can successfully oppose the driving force of the universe , or does the dramatist structure the play in the belief that one human being can victimize another ? In the general , if not ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole