The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 4
... prevail in the end . Tracing the move- ment of the action that results in the prevailing of the highest energy drive is the function of the plot . " Prevailing " is an action word , however , and is non - describable narratively . The ...
... prevail in the end . Tracing the move- ment of the action that results in the prevailing of the highest energy drive is the function of the plot . " Prevailing " is an action word , however , and is non - describable narratively . The ...
Seite 11
... prevailing of the highest energy drive . “ Prevail- ing " is an action word which is non - describable narratively . play . The PLOT - NARRATIVE traces the course of events of a The UNIFIER of a tragedy is the highest energy drive or ...
... prevailing of the highest energy drive . “ Prevail- ing " is an action word which is non - describable narratively . play . The PLOT - NARRATIVE traces the course of events of a The UNIFIER of a tragedy is the highest energy drive or ...
Seite 174
... prevailing energy drive . If the highest energy drive has a high degree of truth to it , the play survives through the ages and through the acceptance of succeeding audiences . Even well into the 20th century for instance , the bond ...
... prevailing energy drive . If the highest energy drive has a high degree of truth to it , the play survives through the ages and through the acceptance of succeeding audiences . Even well into the 20th century for instance , the bond ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole