The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 10
... operation of the universe as it has been codified by mortals IX . The understanding of the whole which is greater than the sum of its parts X. The mode of conduct for mortals is the prevailing of the highest energy drive or God XI . The ...
... operation of the universe as it has been codified by mortals IX . The understanding of the whole which is greater than the sum of its parts X. The mode of conduct for mortals is the prevailing of the highest energy drive or God XI . The ...
Seite 17
... operation of the universe . The circle is complete . The closer the poet's transmit- ted approximation has come to a universal truth , the more enduring the work of art will be . II . The assumptions underlying the construction of ...
... operation of the universe . The circle is complete . The closer the poet's transmit- ted approximation has come to a universal truth , the more enduring the work of art will be . II . The assumptions underlying the construction of ...
Seite 19
... operation of the universe . VI . The similarities and differences between the artist and scientist . The unifier , however , belongs to the natural world . Because it functions in the mode of operation of the universe , it falls within ...
... operation of the universe . VI . The similarities and differences between the artist and scientist . The unifier , however , belongs to the natural world . Because it functions in the mode of operation of the universe , it falls within ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole