The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 61
... murder ? “ That cannot be ; since I am still possess'd Of these effects for which I did the murder , My crown , mine own ambition , and my queen . At the time that he speaks these words Claudius has already decided to dispose of Hamlet ...
... murder ? “ That cannot be ; since I am still possess'd Of these effects for which I did the murder , My crown , mine own ambition , and my queen . At the time that he speaks these words Claudius has already decided to dispose of Hamlet ...
Seite 119
... Murder in the Cathedral Thomas tries to decide how he will die after a sequence of events has rendered him politically expendable . This is not the subject matter for a tragedy in the classical sense because the movement in the play is ...
... Murder in the Cathedral Thomas tries to decide how he will die after a sequence of events has rendered him politically expendable . This is not the subject matter for a tragedy in the classical sense because the movement in the play is ...
Seite 170
... Murder in the Cathedral , the dramatists could alter history only at their own risk . While the mystical dimen- sion of Murder in the Cathedral does contain its own internal conflict for Thomas , it is divorced from the play's action ...
... Murder in the Cathedral , the dramatists could alter history only at their own risk . While the mystical dimen- sion of Murder in the Cathedral does contain its own internal conflict for Thomas , it is divorced from the play's action ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole