The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 84
... Kent is Lear's friend he is more importantly his subject . When Kent chastises the king publicly , he pays a very high price , not because he is wrong , but because he violates a code of conduct which preserves au- thority for royalty ...
... Kent is Lear's friend he is more importantly his subject . When Kent chastises the king publicly , he pays a very high price , not because he is wrong , but because he violates a code of conduct which preserves au- thority for royalty ...
Seite 93
... Kent and Cordelia is emotive utterance expressive of temporary feeling , not necessarily true and with only one ra- tional word , " banishment " , which applies to the action . Kent , too , is a true man and a " plain " man , without ...
... Kent and Cordelia is emotive utterance expressive of temporary feeling , not necessarily true and with only one ra- tional word , " banishment " , which applies to the action . Kent , too , is a true man and a " plain " man , without ...
Seite 94
... Kent , who rises up against the king when he errs but who loves him with the loyalty of a brother who never has to venture beyond the family circle . The common mortal does not need to venture too far , yet there is also responsibility ...
... Kent , who rises up against the king when he errs but who loves him with the loyalty of a brother who never has to venture beyond the family circle . The common mortal does not need to venture too far , yet there is also responsibility ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole