The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 86
... Goneril , the heir apparent to the throne . Albany is completely overshadowed by Goneril in the early scenes . He is not born into the political responsibility that Goneril is , yet he understands that Lear is not only royalty but also ...
... Goneril , the heir apparent to the throne . Albany is completely overshadowed by Goneril in the early scenes . He is not born into the political responsibility that Goneril is , yet he understands that Lear is not only royalty but also ...
Seite 88
... Goneril neither loves nor respects the old king , her father . This deviation weaves in with others to push the old man completely out of the personal , social , and political dimension to his great encounter with nature and the cosmos ...
... Goneril neither loves nor respects the old king , her father . This deviation weaves in with others to push the old man completely out of the personal , social , and political dimension to his great encounter with nature and the cosmos ...
Seite 90
... Goneril and Regan turn against each other , not so much to acquire the kingdom , as might be their political objective , but to acquire Edmund . This is a personal objective . Edmund is the Shakespearean reinforcer for Goneril and Regan ...
... Goneril and Regan turn against each other , not so much to acquire the kingdom , as might be their political objective , but to acquire Edmund . This is a personal objective . Edmund is the Shakespearean reinforcer for Goneril and Regan ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole