The Construction of TragedyNational Literary Guild, 1984 - 187 Seiten |
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Seite 60
... Claudius in fact has killed his kin . In the final scene the murderer of Hamlet is apprehended and Fortinbras regains his lands . The twin unifiers move from this beginning through the machinations of Claudius to secure his position ...
... Claudius in fact has killed his kin . In the final scene the murderer of Hamlet is apprehended and Fortinbras regains his lands . The twin unifiers move from this beginning through the machinations of Claudius to secure his position ...
Seite 61
... Claudius has done until the third scene of Act III , although the act itself precedes the play . As a character , Claudius is the opposite of Antigone . Antigone would not incur the wrath of the gods for the sake of any mortal advantage ...
... Claudius has done until the third scene of Act III , although the act itself precedes the play . As a character , Claudius is the opposite of Antigone . Antigone would not incur the wrath of the gods for the sake of any mortal advantage ...
Seite 65
... Claudius is visibly disturbed by the play , Hamlet turns to his friend : O good Horatio , I'll take the ghost's word for a thousand pound . Dids't perceive ? Very well , my lord . Upon the talk of the poisoning ? I did very well note ...
... Claudius is visibly disturbed by the play , Hamlet turns to his friend : O good Horatio , I'll take the ghost's word for a thousand pound . Dids't perceive ? Very well , my lord . Upon the talk of the poisoning ? I did very well note ...
Inhalt
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole