The Construction of Tragedy

20th century able accepted action affairs affirmation Albany Antigone appears approximation assumptions attempt audience awareness become beginning Books character civilization classical Claudius code of conduct comes common concerning Condemned of Altona construction contemporary Cordelia correspondence cosmic creating Creon daughter dead death deviation difference dimension dramatist England exists fact father fidelity follow forces Franz function Gerlach give Gloucester Goneril governance Greek Hamlet harmony Henry highest energy drive human imbalance Kent kill King Lear language Leni lives material mean mode mortal move movement Murder nature occurs operation organic philosophy play plot political position potential prepared preservation prevailing primogeniture relationship relevance responsibility reveals role rule says scientific Seasons sense Shakespeare significant social spiritual strength structural thing Thomas tion tragedian tragedy tragic true truth understanding unifier universe VIII Werner whole