spect its evanescent beauties, its wonderful details, its spiritual causes, its astounding whole, so much the more you master the biography of this hero, and that, and every hero. Be lord of a day, through wisdom and justice, and you can put up your history books.

An intimation of these broad rights is familiar in the sense of injury which men feel in the assumption of any man to limit their possible progress. We resent all criticism which denies us anything that lies in our line of advance. Say to the man of letters that he cannot paint a Transfiguration, or build a steamboat, or be a grand-marshal, —— and he will not seem to himself depreciated. But deny to him any quality of literary or metaphysical power, and he is piqued. Concede to him genius, which is a sort of Stoical plenum annulling the comparative, and he is content; but concede him talents never so rare, denying him genius, and he is aggrieved. What does this mean? Why simply that the soul has assurance, by instincts and presentiments, of all power in the direction of its ray, as well as of the special skills it has already acquired.

In order to a knowledge of the resources of the scholar, we must not rest in the use of slender accomplishments, of faculties to do this and that other feat with words; but we must pay our vows

to the highest power, and pass, if it be possible, by assiduous love and watching, into the visions of absolute truth. The growth of the intellect is strictly analogous in all individuals. It is larger reception. Able men, in general, have good dispositions, and a respect for justice; because an able man is nothing else than a good, free, vascular organization, whereinto the universal spirit freely flows; so that his fund of justice is not only vast, but infinite. All men, in the abstract, are just and good; what hinders them in the particular is the momentary predominance of the finite and individual over the general truth. The condition of our incarnation in a private self seems to be a perpetual tendency to prefer the private law, to obey the private impulse, to the exclusion of the law of universal being. The hero is great by means of the predominance of the universal nature; he has only to open his mouth, and it speaks; he has only to be forced to act, and it acts. All men catch the word, or embrace the deed, with the heart, for it is verily theirs as much as his; but in them this disease of an excess of organization cheats them of equal issues. Nothing is more simple than greatness; indeed, to be simple is to be great. The vision of genius comes by renouncing the too officious activity of the understanding, and giving leave and amplest privilege to the spontaneous sentiment. Out of this

must all that is alive and genial in thought go. Men grind and grind in the mill of a truism, and nothing comes out but what was put in. But the moment they desert the tradition for a spontaneous thought, then poetry, wit, hope, virtue, learning, anecdote, all flock to their aid. Observe the phenomenon of extempore debate. A man of cultivated mind but reserved habits, sitting silent, admires the miracle of free, impassioned, picturesque speech, in the man addressing an assembly; - a state of being and power how unlike his own! Presently his own emotion rises to his lips, and overflows in speech. He must also rise and say somewhat. Once embarked, once having overcome the novelty of the situation, he finds it just as easy and natural to speak, to speak with thoughts, with pictures, with rhythmical balance of sentences, as it was to sit silent; for it needs not to do, but to suffer; he only adjusts himself to the free spirit which gladly utters itself through him; and motion is as easy as rest.

II. I pass now to consider the task offered to the intellect of this country. The view I have taken of the resources of the scholar, presupposes a subject as broad. We do not seem to have imagined its riches. We have not heeded the invitation it holds out. To be as good a scholar as English

men are, to have as much learning as our contemporaries, to have written a book that is read, satisfies us. We assume that all thought is already long ago adequately set down in books, — all imaginations in poems; and what we say we only throw in as confirmatory of this supposed complete body of literature. A very shallow assumption. Say rather all literature is yet to be written. Poetry has scarce chanted its first song. The perpetual admonition of nature to us, is, 'The world is new, untried. Do not believe the past. I give you the universe a virgin to-day.'

By Latin and English poetry we were born and bred in an oratorio of praises of nature, flowers, birds, mountains, sun, and moon; —yet the naturalist of this hour find that he knows nothing, by all their poems, of any of these fine things; that he has conversed with the mere surface and show of them all; and of their essence, or of their history, knowing nothing. Further inquiry will discover that nobody, — that not these chanting poets themselves, knew any thing sincere of these handsome natures they so commended; that they contented themselves with the passing chirp of a bird, that they saw one or two mornings, and listlessly looked at sunsets, and repeated idly these few glimpses in their song. But go into the forest, you shall find all new and undescribed. The honking of the wild geese fly

ing by night; the thin note of the companionable titmouse in the winter day; the fall of swarms of flies, in autumn, from combats high in the air, pattering down on the leaves like rain; the angry hiss of the wood-birds; the pine throwing out its pollen for the benefit of the next century; the turpentine exuding from the tree; - and indeed any vegetation, any animation, any and all, are alike unattempted. The man who stands on the seashore, or who rambles in the woods, seems to be the first man that ever stood on the shore, or entered a grove, his sensations and his world are so novel and strange. Whilst I read the poets, I think that nothing new can be said about morning and evening. But when I see the daybreak I am not reminded of these Homeric, or Shakspearian, or Miltonic, or Chaucerian pictures. No, but I feel perhaps the pain of an alien world; a world not yet subdued by the thought; or I am cheered by the moist, warm, glittering, budding, melodious hour, that takes down the narrow walls of my soul, and extends its life and pulsation to the very horizon. That is morning, to cease for a bright hour to be a prisoner of this sickly body, and to become as large as nature.

The noonday darkness of the American forest, the deep, echoing, aboriginal woods, where the living columns of the oak and fir tower up from the ruins of the trees of the last millennium; where,