Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 61Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 89
Seite 37
... never Had liv'd to put on this ; so had you sav'd The noble Imogen to repent , and struck Me , wretch , more worth your vengeance . ( V.i.2-11 ) Until now Posthumus has been basically conventional in thought and action , holding to an ...
... never Had liv'd to put on this ; so had you sav'd The noble Imogen to repent , and struck Me , wretch , more worth your vengeance . ( V.i.2-11 ) Until now Posthumus has been basically conventional in thought and action , holding to an ...
Seite 125
... never tries to exert political power as Katherine has done . She does not , for instance , intervene to change an edict of the council ; indeed , while her archenemy Gardiner is plotting to turn the council against Cranmer , one of her ...
... never tries to exert political power as Katherine has done . She does not , for instance , intervene to change an edict of the council ; indeed , while her archenemy Gardiner is plotting to turn the council against Cranmer , one of her ...
Seite 370
... never crosses over into grace but merely sues for it , so , too , Caliban desires to found a people of Calibans but remains radically singular . As with Frankenstein's monster , no female Leviathan joins him at the end of the play , and ...
... never crosses over into grace but merely sues for it , so , too , Caliban desires to found a people of Calibans but remains radically singular . As with Frankenstein's monster , no female Leviathan joins him at the end of the play , and ...
Inhalt
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York