Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 61Gale Research Company, 1984 |
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Seite 18
... drama and dreams , and the play returns us more directly , as those forms do , to the transcendental and primal processes of transformation . In Cymbeline as in the mystery drama , one world liter- ally is ransomed and another destroyed ...
... drama and dreams , and the play returns us more directly , as those forms do , to the transcendental and primal processes of transformation . In Cymbeline as in the mystery drama , one world liter- ally is ransomed and another destroyed ...
Seite 188
... drama , as Jean - Christophe Agnew notes , reflected its feudal origins , portraying social roles as divinely ordered and unalterable : " The mystery cycles had functioned , above all , as ceremonial enactments of religious and mythic ...
... drama , as Jean - Christophe Agnew notes , reflected its feudal origins , portraying social roles as divinely ordered and unalterable : " The mystery cycles had functioned , above all , as ceremonial enactments of religious and mythic ...
Seite 195
... drama has at its disposal as a means of historical representation is primarily a repertoire of such gestural manifestations of value . And insofar as drama manages to embody a historical vision of some sort , it does so largely by ...
... drama has at its disposal as a means of historical representation is primarily a repertoire of such gestural manifestations of value . And insofar as drama manages to embody a historical vision of some sort , it does so largely by ...
Inhalt
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Urheberrecht | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York