Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 61Gale Research Company, 1984 |
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Seite 144
... Shake- speare's audience certainly knew , by Queen Mary . 19. See Bullough ( ed . ) , Narrative and Dramatic Sources of Shakespeare : " Alas that ever the grace of truth was withdrawne from so noble a man , that he was not to his king ...
... Shake- speare's audience certainly knew , by Queen Mary . 19. See Bullough ( ed . ) , Narrative and Dramatic Sources of Shakespeare : " Alas that ever the grace of truth was withdrawne from so noble a man , that he was not to his king ...
Seite 220
... Shake- speare . Ed . G. Blakemore Evans . Boston : Houghton Miff- lin , 1974 . Sheridan , Alan . " Translator's Note . " Écrits . New York : Norton , 1977. vii - xii . Willbern , David . " Shakespeare's Nothing . " Representing ...
... Shake- speare . Ed . G. Blakemore Evans . Boston : Houghton Miff- lin , 1974 . Sheridan , Alan . " Translator's Note . " Écrits . New York : Norton , 1977. vii - xii . Willbern , David . " Shakespeare's Nothing . " Representing ...
Seite 273
... Shake- speare's imagination " between masculine and feminine modes of forming an identity and of relating to the world . The masculine mode involves " the assertion of self - willed . . autonomy over destructive female power or over ...
... Shake- speare's imagination " between masculine and feminine modes of forming an identity and of relating to the world . The masculine mode involves " the assertion of self - willed . . autonomy over destructive female power or over ...
Inhalt
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Urheberrecht | |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York