The Centennial Review: CR., Band 11College of Arts and Letters, Michigan State University, 1967 |
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Seite 221
... reason . Confronted by Oedipus at Colonus and The Dream Play , we are driven to admit their cosmic extension ; surely reason , with its linear phas- ing of action into a time sequence terminating in a catas- trophe and its two ...
... reason . Confronted by Oedipus at Colonus and The Dream Play , we are driven to admit their cosmic extension ; surely reason , with its linear phas- ing of action into a time sequence terminating in a catas- trophe and its two ...
Seite 359
... reason for the Spaniards calling them the Encantada , or Enchanted Group . " But this is only one of three reasons . The second reason is that their reality is so hor- rible as to seem unreal : But not uninfluenced by their character ...
... reason for the Spaniards calling them the Encantada , or Enchanted Group . " But this is only one of three reasons . The second reason is that their reality is so hor- rible as to seem unreal : But not uninfluenced by their character ...
Seite 450
... reason for the creative act . This recalls Picasso's state- ment to me that if he had known the reason for one of his works he would not have painted it . And this also brings to mind a statement that Henry Moore made to me that he ...
... reason for the creative act . This recalls Picasso's state- ment to me that if he had known the reason for one of his works he would not have painted it . And this also brings to mind a statement that Henry Moore made to me that he ...
Inhalt
HARRY BERGER | 24 |
HAROLD DICKER | 53 |
ROBERT HAZEL | 65 |
Urheberrecht | |
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