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Epistle to James Craggs, Esq. Secretary of State............. 157
Epistle to Mr. Jervas, with Dryden's Translation of
Fresnoy's Art of Painting
..... 158
Epistle to Mrs. Martha Blount, with the Works of
Voiture
Epistle to Mrs. Teresa Blount, on her leaving the Town
.....
after the Coronation....
To Mr. John Moore, Author of the celebrated Worm
Powder
161
:64
166
168
Epistle to Mrs. Martha Blount, on her Birthday.
To Mr. Thomas Southerne, on his Birthday, 1742...... 169
Roxana; or, the Drawing Room. An Eclogue......... 170
The Basset Table. An Eclogue.
Verbatim from Boileau
Answer to the following Question of Mrs. Howe. "What
is prudery?"
Lines occasioned by some Verses of his Grace the Duke
of Buckingham...........................
..............................
Prologue to Mr. Addison's Cato.........
172
176
.... 177
177
178
Epilogue to Mr. Rowe's Jane Shore. Designed for
Mrs. Oldfield.......
179
.........
Prologue to Thomson's Sophonisba............
181
Prologue to a Play for Mr. Dennis's Benefit, in 1733,
when he was old, blind, and in great distress
183
Macer. A Character.......
184
Song, by a Person of Quality. Written in the year
1733....
185
On a certain Lady at Court..........
186
On his Grotto at Twickenham, composed of Marbles,
Spars, Gems, Ores, and Minerals......
187
Verses to Mr. C. St. James's Place........
188
To Mr. Gay, who had congratulated Pope on finishing
his House and Gardens.......
Lines sung by Durastanti, when she took Leave of the
English Stage........
191
Upon the Duke of Marlborough's House at Woodstock. 192
Verses left by Mr. Pope, on his lying in the same Bed
which Wilmot, the celebrated Earl of Rochester, slept
in at Adderbury, then belonging to the Duke of
Argyle, July 9th, 1739........
The Challenge. A Court Ballad..
The Three Gentle Shepherds.........
Epigram, for the Collar of a Dog...
The Translator.......
192
193
196
197
198
A Farewell to London in the year 1715..
202
Prologue, designed for D'Urfey's last Play.................
205
206
The Lookingglass. On Mrs. Pulteney..
An Epistle to Henry Cromwell, Esq.
Prologue to the "Three Hours after Marriage"
Sandys' Ghost; or, a Proper New Ballad, on the New
Ovid's Metamorphoses: as it was intended to be
translated by persons of quality......
Umbra..
Sylvia. A Fragment.
Impromptu, to Lady Winchelsea. Occasioned by Four
satyrical Verses on Women Wits in the Rape of the
Lock.........
208
211
212
213
Epigram
214
Epigram, on the Feuds about Handel and Bononcini... 214
On Mrs. Tofts, a celebrated Opera Singer.
The Balance of Europe.........
Epigram on the Toasts of the Kit-cat Club, anno 1716.. 216
To a Lady, with the Temple of Fame.......
216
On the Countess of Burlington cutting Paper................................ 216
On Drawings of the Statues of Apollo, Venus, and
Hercules, made for Pope by Sir Godfrey Kneller.... 217
Argus......... 218
Prayer of Brutus. From Geoffrey of Monmouth........ 218.
An Inscription upon a Punchbowl in the South Sea
Year for a Club, chased with Jupiter placing Callisto
in the skies, and Europa with the Bull..
Lines on a Grotto at Crux-Easton, Hants.....
219
Lines, "All hail, once pleasing, once inspiring shade" 220
To Erinna.
Adriani morientis ad animam, translated..
221
A Dialogue.........
222
Ode to Quinbus Flestrin, the Man Mountain, by Titty
Tit, Poet Laureate to his Majesty of Lilliput. Trans-
lated into English............................
The Lamentation of Glumdalclitch for the Loss of
Grildrig. A Pastoral.....
224
To Mr. Lemuel Gulliver, the grateful Address of the
unhappy Houyhnhnms, now in slavery and bondage
in England......
227
Mary Gulliver to Captain Lemuel Gulliver. An Epistle 229
The Temple of Fame......
January and May. From Chaucer
233
253
The Wife of Bath. Her Prologue. From Chaucer.... 281
IMITATIONS OF ENGLISH POETS.
Chaucer......
299
Spenser. The Alley....................
300
Waller.
302
On a Lady singing to her Lute.........................
On a Fan of the Author's Design, in which was
Dr. Swift. The happy Life of a country Parson......... 310
304
305
306
308
309
AN ESSAY ON CRITICISM.
PART I.
VOL. II.
B